On Yuan Kejia 's Pursuit Of Poetic Creation In The 1940s

Yuan Kejia was China outstanding modernist poetics, poet in 1940s, by Richards, as well as Anglo-American New Criticism Eliot poetry theory selective absorption, combined with the practical problems of Chinese poetry, he constructed from the "modern poetry" the basic framework, and established a "reality, metaphysics, a symbol of new poetry "comprehensive tradition", and put the practice of poetry. Yuan Kejia on modernist poetry has a unique quest, this paper attempts to analyze and evaluate their pursuit of poetry.This paper is divided into three chapters. The first chapter analyzes the poetry Yuan Kejia pursue theoretically, is the focus of this article. The author based on Yuan Kejia advocated "poetry is to convey the experience of interpretation of this view, respectively, from the beginning stages of writing poetry, completion stage and three levels of technical means of poetry Yuan Kejia pursue analyzed. The second chapter on the basis of the first chapter on the analysis of the correspondence between the Kejia between poetry and theory; the third chapter from the 1940s era of contextual and historical context of Chinese modernist poetry examined at two levels Yuan Kejia poetry pursue meaning. From the first perspective, Yuan Kejia’s poetry not only focus on the use of modernist poetry skills, but also take care of the historical reality, the most important is the historical reality of the war in the Context of the art given the deepening; from a second perspective, Yuan Kejia’s poetry broke the previous trend of modernist poetry confined to self-stereotype greatly opened up the performance space modernist poetry, which is mainly reflected in two aspects:first, Yuan Kejia the modernist poetry rooted expand the field to a very real extent liberal; second, the modernist poetry Yuan Kejia goal summed to obtain the "maximum amount of conscious state".In addition, the pursuit of Yuan Kejia’s poetry also reflects a rare valuable spiritual poetry.