The Historical Process And Theoretical Interpretation Of Modernization Of New Poetry

Compared with the traditional poetry, one of the prominent characteristics of poetry is the pursuit of modernization. Under the double impact of Western discourse and local culture, the pursuit of the process left by a transplant, reference to the gradual integration of the development path. With the times change, the pursuit of modernization of new poetry rebels "Since the state of poetry" constantly, deepening the concept of poetics from the tradition to the modern transition, until Yuan Kejia develops it into a relatively complete system of poetics. It is a kind of poetic ideal, the exploration of local transformation of Western discourse and the modern transformation of traditional resources, we can open up a broad space in the methodology of poetics.This paper consists of four chapters. The introduction firstly expounds the historical process modernization of new poetry, the theoretical connotation and significance of the theory of Yuan Kejia, then through combing the relevant research to explore the research value and practical significance of the theory of modernization of new poetry. The first chapter discusses the occurrence and development of the modernization of new poetry. Represented by Hu Shi and Guo Moruo’s vernacular-free poetics, breaking through the traditional aesthetic paradigm of poetry, the poetry from the metrical to free body, from classical to modern transformation; But it also makes poetry too freely and flow with the state of anomie. For this limitation, Symbolist and modernist emphasized the ontology of poetry, advocated the independent status of poetry, consciously exploring ways of fusion with western discourse in the local context. Subsequently, Yuan Kejia commendable formally advances the theory of modernization of new poetry, with a mature modern theory exists in the poetry history. The second chapter discusses Chinese and Western resources of modernization of new poetry of Yuan Kejia, mainly includes the reference and local conversion of symbolism and the new criticism, the inheritance and modern transformation of China’s traditional lyric poetry, imagery, language, This prompted the concept of poetics, poetic thinking to the modern transformation. The third chapter discusses the connotation of the modernization of new poetry theory of Yuan Kejia. Yuan Kejia puts the poetry ontology as the logical starting point of the research, puts forward the "Parallel theory" and "Coordination theory" to unify poetry and reality; Modern new poetry should be "contains the poem" to achieve "the maximum amount of consciousness activity", and the way to achieve this purpose is dramatic poetry, Dramatic poetry expressed "reality, symbol, the metaphysics" in the principle of objectivity and indirect, The fourth chapter discusses the Mu Dan, Tang Shi’s poetry pursuit to the echo of the theory of modernization of new poetry of Yuan Kejia, it shows that modern poets are building a suite of national and international efforts in one of the poetics theory. This reflects the open consciousness of Western discourse and innovative attitude consciousness transformation of traditional resources is the inevitable trend of the development of the modernization of new poetry. In the conclusion part, I evaluate the theoretical value of modernization of new poetry integrally. Discusser believe that the poetics and discourse strategy of modernization of new poetry continuously improve in the multicultural communication, the transcendence of the traditional resources also shows the vitality of this independent poetics system, providing the reference to contemporary poetic creation and criticism.Although Yuan Kejia made the modernization of new poetry theory gradually mature, it is still a process that has not been terminated, and it is a dream that continues to pursue.The modernization of new poetry to establish the poetry is poetry in the garden of a cluster, but its attitude to the reality, the traditional and foreign words can provide reference for the current poetic creation and criticism, and provides the direction for the construction of a national modern poetics.