Cured "the Other"

Along with China’s reform and opening spring, migrant workers created as a new group,its presence and status has become a social phenomenon. In 30 years of development, the migrant workers made an indelible contribution to economic prosperity and social development of the city, but they was facing the embarrassment of identity from beginning to end. On one hand, they can’t integrate into the city as "citizen" truly, on the other hand, they was less likely to go back to "farmers" original identity. Real barriers and the lack of real social identity of the city make the vast majority of migrant workers full of "a sense of drift.’In this process, the TV as a "communication intermediary carrier" for the knowledge and information.It arouses the audience’s memories、emotions and acts directly on the social identity through its content hosted reaction in the audience. In this "agency" of the process, the drama is a representative sample of television culture in shaping logic of the relationship between the characters and personalities of values to guide the audience by the drama of the narrative, not only to promote the prosperity of the drama industry and career in a very large extent, also to promote and shape the audience’s self-identity and social identity. In the continuous process of interaction with the audience, the drama begins to play a key role in the spread and impact of the audience thinking、values and construction of the identity of the audience.The drama of migrant workers regards migrant workers as the main narrative and the city as the main narrative background, by depicting a series of life occurred between migrant workers,and migrant workers between citizens about their life and the interaction of emotional, the The drama of migrant workers shows the Migrant Workers’fate after they move to the city. But in fact when it reflects the encounter of migrant workers who move into the city,they show the gap between the Migrant Workers from institutional and cultural capital of this macro-social level, as well as social networks, social interaction and other micro perspective will variety suited public discrimination against migrant workers in urban and rural areas and various distances figurative and profoundly demonstrated in front of the audience. As the impact of migrant workers manufacture drama, meaning production, social construction tools image constructed social reality, so that the audience have a better understanding of the "migrant workers is a kind of image," in real life,and more clearly perceived or aggravated "I’m migrant workers"awareness, thus strengthen the identity of migrant workers agree distance.This paper chooses the drama "Labor survival","Fortress Bang Bang Army" "City Star", "girls from outside", "urban stranger", "xiaomai go into the city", "ChunCao" and other migrant workers during the height of the drama’s third development as a content analysis of the object. Combined with the social and cultural identity, from the institutional system, economic situation, social networks, social experience to analyze the identity of migrant workers migrant workers in drama presentation. This paper abandons the way of individual case studies and the "mass media" statement,then promotes to the sociological perspective, the more use of logical "communication sociology" to examine migrant workers as a mass media for reality TV series Farmers workers shaping identity, penetration and influence,to expectatie by revealing the real drama of migrant workers migrant workers in curing identity and alienation, then it can establish a correct outlook spread, so that television and other mass media become recognized centripetal force cohesion, promoteing migrant workers into the city’s identity.The study is divided into four chapters, the first chapter of the first part is theoretical background to make a real explanation, followed by an overview about the focus and purpose of the significance of this study, finally followed identity of migrant workers, farmers Research Status worker drama, mass media identity of migrant workers, such as construction of research studies issues related to the status the method used in this study and the innovation of this study launched introduction. The second chapter is migrant workers and the mass media, it explains the construction of sociological significance of migrant workers and points out that migrant workers in the next review of the mass media, the identity was deeply influenced by the mass media of television. The third chapter is the focus of this study, it definite migrant workers by studying the development process of migrant workers drama,which presented regard migrant workers and urban culture as the core of the narrative rules, institutional barriers to escape and paradox reproduction, economic difficulties straightforward collision, curing and alienation reproduction of social capital, social embodied sense of deprivation, finally it build the real identity of the migrant workers. Chapter IV presents television as a mass media, although it can not solve cultural issues in the process of institutional identity issues,it can promote the optimization and reproduction of the social structure, cohesion identity in the new framework by the popular image of the spread effectively.