A Study On The Film Narration Of The New Generation Female Director

In recent years, the new generation of Chinese female director of this group became an indispensable part of the film industry, every year at least one female director works presented on China’s big screen. Research on the new generation of female directors in the film features narrative of great significance to the development of Chinese film. In this paper, under the premise of the new generation of female directors and their works were outlined to Li Yu, Xu Jinglei, Ma Liwen and Jin Yimeng four female directors and their works as the main object of study, based on the film of narrative, combined with female movie history, film theory and film Women on theory, the characteristics of the new generation of female directors in the narrative theme of female identity, narrative expression female perspective, pluralistic aspects of a unified narrative style, and the new generation of female directors in the narrative feature gender socialization do an analysis and evaluation.From the point of view of narrative theme, the new generation of female directors is facing pressure from two sides, one had a reputation from the "Fifth Generation" director,one director from male contemporaries. Under this double pressure, the female director’s own identity in a relatively awkward position, so they are trying to confirm their identity,and presented in the works. The plight of lesbian identity and description alone who love narrative, showing the identity of the director is desperate to achieve recognition, but not aggressive attitude. For a description of the relationship between mother and daughter exchange, it indicates that the director of attention and thinking of females growth. From the narrative perspective, the new generation of female directors of works mostly carried out using female perspective narrative, including the female perspective female narrator’s perspective, the perspective and the perspective of the director of "female camera" in.Female narrative film some people draw the visible figures, some paintings of figures.Female directors do best is to describe the story of a woman, but also in the eyes of female directors talk about their man’s game. Although the objective lens is not gender-specific,but the way things behave female director and the director is certainly not the same man,and a group of lenses will naturally some traits with women. In addition, the female director who will use omniscient perspective tells a story.In the narrative style, both the unity of the new generation of female directors on gender identity, also have their own different style characteristics. They are accustomed to telling the story of a woman, let them nature films are full of women’s unique style,temperament, they are good at using colorful graphics, sound gentle, subtle mood render female video. They also have their own personality, Li insisted Discussion of "Woman",while another story showing changes in the way; Xu Jinglei individual begins talking,raving to similar "flick" the complete transformation; Ma Liwen from research among women relationships, feelings go to commercial games above; and Jin Yimeng at the "flick" road go more smoothly. From the social environment, the survival of women in society is difficult. The new generation of female directors narratives of some women with strong female consciousness, their efforts to adhere to the self, and with intent to break through. Some only under pressure attached to the patriarchal male, men obey their words,but it can also be occasionally awakening to patriarchal society and the market compromise road. However, the female director’s achievements are obvious, with the increasing degree of liberalization of society, I believe they will have a broader space to show awareness of women and the right to speak more freely.