A Study On The Musical Characteristics And Performance Of The 6th Fairy Tales

Nikolai·Karlovich·Medtner, which is a Russian composer live between the end of nineteenth Century at the beginning of the twentieth Century,also is a great pianist and piano educator. He was graduated from the Moscow Conservatory with Rachmaninoff and Scriabin at the same year.In terms of composition techniques and piano, Medtner favorably than their. Medtner’greatest achievement in his life is pioneered the lyric-Narrative essay genre-- fairy tale, his great contribution to the history of piano music and music genre can not be ignored, so for this subject works is quite meaningful analysis. His work Op.51 is composed of six piano suite composed ditty, also is the greatest one among the 38 fairy tales. I selected Medtner’s most representative works of the fairy tale genre as research subjects, take analyze, summarize, summarize methods, trying to get Medtner who for various reasons did not pay attention to the times when the cause of great composers, recognized by everyone again, in order to make an objective evaluation of history.This article has four chapters, the introduction describes the significance of the selected topic, the past and present of the reserrch,research methods. The first chapter briefly introduces Medtner ’s life and works. The second chapter,from the origin of the fairy tale genre, the fairy tale theme classification creation stage of the fairy tale, three aspects to briefly describe the piano genre fairy. The third chapter,is music ontology research of Op.51, a detailed analysis of six songs,about the structural features with musical form, harmony, also combined with the use of the works to the creation of a unified creative, polyphonic texture and various rhythm, summarized this work of musical feature. The fourth chapter, This work describes the main points in Playing, include the touching of keys, rhythm, force, the use of pedal, to provide a reference for learning and playing that works.