On The Shape The Image Of Xuzhou Han Enlightenment To The Modern Mural

The thesis analyzes the "Image" characteristic of Xuzhou's Han Dynasty Stone Relief from the perspective of fresco. Its "image" sculpt characters have some certain representatives. These artful images (though seemingly clumsy) and the simple behaving techniques materialize a kind of honest and simple ideas. This sort of creative consciousness and aesthetic interest provide certain enlightenment for our modern fresco. There is possibility for our modern people to understand the ancients. The extreme ostentation of modern fresco, the conflicts in today's society and the spiritual and aesthetic demands created by modern civilization all require us to lookseriously into these works of our ancients.