Qing Dynasty Kangxi, Yongzheng, The Dry Period Of Yu Yung Painting Exploration,

Papers "Qing Hong, Yong, dry period paintings Exploration of the Royal capacity" to the Qing Dynasty Emperor Kangxi, Yongzheng and Qianlong in the three (1661-1796) 130 years, the performance of the emperors of the painting works for the Royal capacity study, analysis At that time, in the context of the history of cultural production, subject classification, the mode of artistic expression. Through the large map of the data collection, sorting and matching, the integration of the Qing Dynasty Kang, Yong, dry period painting the image of the Royal capacity, creating a screen, and the hidden characteristics of art in which the deep-seated cultural factors, in order to correctly and objectively assess Qing Hong, Yong, dry period Royal Yung painting as a social function and academic value.Entire total of four chapters, about two million words, Legend 25, in the text read, the principle of respect for history, this works from a host of plans, the use of the comparison, summed up the way through to the Qing Dynasty Kang, Yong, dry During a typical retirement from the significance of the morphology of the emperor to read from a deep Context boost reveal the inner world of their own, character traits and political as for the painting in the history of the imperial establishment of a more detailed and profound understanding. Especially as the Royal Emperor Yung painting directly sponsor, the screen layout of the analytical perspective to the emperor's aesthetic interest and will of the imperial dignity. Moreover, through the Royal capacity as facial lines from clear, to gradually weaken, and then to melt until the reproduction of the process of interpretation, carding the first Chinese court art of classical realist painting and the Western concept of absorption - combined - from the context. This article included in the capacity of the Royal painting works, including topics like the emperor standards, Trend life, Wenzhiwugong, more comprehensive show of the Qing Dynasty Kang, Yong, dry period Royal capacity of the true face of painting.Rereading the Qing Dynasty Kang, Yong, dry period of the Royal Yung drawing, painting is to look squarely at history may be simplistic and ignore the academic content, reproduced from an objective point of view of the special aesthetic era style, creative context and flow characteristics, Art history in this part of the re-interpretation, may also present the Chinese figure painting for the creation of new academic reference.