Evanescent Landscape: The Aesthetic Changes, China 's Local Painter

Native Chinese oil paintings represent almost the development of the main stream in the development of Chinese oil paintings and become a synonym for Chinese oil paintings.Exposition of this paper is to set foot in China in the paintings of native artist's Aesthetic changes.After Chen Dancing's "Tibetan painting group" and Luo Zhongli's "father" shocked deeply in China in the 1980s,a local oil prevailing time has emerged.But in the 1990s,art market flourishes sharply because of the increased urbanization and the continuous emergence of all kinds of fashion, This means not only promoting the development of a diversified art,but also transferring part of the vision of the artist.The attention has been paid on all aspects of social life that were never concern before.Native arts not have been paid close attention as before.Many young people of active thought will not hesitate to abandon the native arts in order to followed the development of the times,They trying to find "unique" in the new subject and painting mode as trudged in the painting road.This paper focuses on the background of the native oil paintings gradually fade away in the oil paintings circle.While Chen Danqing,Luo Zhongli,He Duoling,Duanzhengqu, Zheng Yi,and other representatives of native artists exploring the localization of the oil paintings,their creations style,practical concerning have produced a variety of aesthetic changes with the development of the times,and furthermore explain the underlying causes of native arts' gradually fading away,stated the value of native painting so that it will not completely vanish in the public's attention in the analysis of native paintings gradually away.