Font Size: a A A

The Timeless Charm

Posted on:2010-10-04Degree:MasterType:Thesis
Country:ChinaCandidate:Z P GaoFull Text:PDF
GTID:2205360275965184Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Piero Della Francesca is a leading luminary of the painters in the fifteenth century in Italy.His picture based on a long established iconographic tradition of ancient antiquity and the ultramundane achievement of contemporary art study to which he refers With discretion is his alone.Piero shows himself to be the eccentric master of addressing to visual language and of communicating innate spirit quality.From three facets,This discourse reveals subjective and objective elements of Francesca art and its social history value in order to make us enlightened from traditional cultures.Firstly,Rationality takes on the major role of Francesca's Metaphysical paintings.The artical depicts Francesca' s life and his education background,Above all,Francesca immerses himself totally in mathematics,geometry,perspective research,has an adoration for science and art of classical antiquity,blends geometry in perspective,creats a sacred rational atmosphere of the material and form.Secondly,Art style,The way of Francesca' s references to tradition lies in an iconographic solution of graphic form and classic narrative patterns,so much so that,He creates a series of visual representation approaches including the switch between the three-dimension and the two-dimension;the luminous extensive stately graceful constructive spatial atmosphere;the supper-time introduction of light.and so forth.At last,Francesca' s art announces its great spiritual Powers.At this crucial point,By removing the less important facade of secular subjects,restraining the factitious emotions,the artist gets what he wants:Once visual elements are entwined by intellect,the paintings will be fascinating and hypnotizing in the soul.A great number of adorers are shocked by the visual powers of the majestic Francesca' s art.Some explanations are about the culture meanings of iconographic;But artists attempt to find out the approaches and the ways of making visual powers.Their clumsy copies derive from the superficial understanding of the geometricality and rationality of Francesca's modeling and formation.only thought about the style of Francesca's works is not enough,They must also study the fifteenth-century classicalism of which the contemporary artists had a little knowledge.Francesca brightly combines accentuating the quietness in the classicalism with representing the spirit of the stately nobility in the pictures.His ideas:quietness in the classicalism and represention of the spirit of the stately nobility——'rationally obtaining classicalism tradition——'The systematic induction of visual patterns——'visual powers;Our understanding:visual powers←——visual patterns←——classicalism tradition←——quietness in the classicalism and represention of the spirit of the stately nobilityOur enlightenment:From tradition we can find out the visual patterns that give voice to our feeling,then introduce them through our ways,we will obtain our styles.
Keywords/Search Tags:rationality, spirituality, three-dimensional decorative style, innate reality, iconographic, visual powers, visual patterns
PDF Full Text Request
Related items