| Jin Non is a painter who has the most literati's qualities among the "eight eccentrics of Yangzhou", his paintings are very diverse and ancient graceful, but are full of new meaning. His calligraphy is immature and plain, innocent but has Epigraphy interesting. The art of writing on Chinese painting of Jin Non make the poem, calligraphy and painting as an integral part, which can express his character, true temperament and appreciate beauty interest of comprehensive. In all of his painting works of spreading down, every painting must be written, and every one is wonderful necessarily, because he has the ability of writing poem and calligraphy wonderful.In the period of Jin Non's life, the calligraphy style of Dong and Zhao was widely accepted, Tie-xue cannot break people of the past, and then gradually decline, prosperous Textual Criticism gave the Philology and Epigraphy as turning point, and aroused calligraphy to"restore ancient ways" under current of thought. Jin Non was satisfied to look at a great deal of gold stone tablet version, he took Han-bei as object, and brave innovation. His calligraphy is divided into five kinds of style types: Lishu, Running-hand, The calligraphy of transcribing Buddhism scriptures, Kai-li and Qi-shu. This thesis show these five kinds of style types is using for the painting style, Jin Non mainly choose the calligraphy of transcribing Buddhism scriptures, and the reason is that the calligraphy of transcribing Buddhism scriptures had cosmetic and planarity, which is mutually consistent with his painting. The immature line texture in the calligraphy of transcribing Buddhism scriptures and the epigraphy of the painting are in consistent mutually, and make the signature and painting naturally to unify together.The contents of Jin Non's painting signature are very extensive, generally includes the illustrate work background and origin, expresses subjective feeling and thought, review the painting history, his esthetic sense and creations view. The form of the signature mainly is the poem and record, particularly the record. In the works, they have relations with more vivid record, the word numbers can increase or decrease according to the form of appearance, and they are free for the illustrating standpoint.Jin Non's painting signature influences a large number of literati painters, for example, Changshuo Wu, Baishi Qi, Tianshou Pan, Shaoqi Lai, and so on. Especially Baishi Qi, his poem, calligraphy and painting draw lessons from Jin Non. Shaoqi Lai drew directly on the experience of his form of sigillography. He said "I firstly study calligraphy for the sake of painting, especially when I studied the plum blossom from Dongxin Jin, I think that it is necessary for me to stuy Qi-shu."He takes his entire life to study the Jin Non's style art. However, along with the times development and society progress, people are lack of the understanding of tradition culture and ignore the signature obviously. It not only expresses that people can pay attention to superficial form feeling and sense of vision to pound at dint, but lack the concern to the work connotation. Particularly signature, the poem and essay are the same as the ancients, there is no new meaning, or become formalistic. It is difficult to create the Chinese painting of high style and high personal status. In this study, through analyzing the Jin Non's poem and essay, calligraphy and painting work, and make use of pictures to carry on argument, we have summarized completely the painting of Jin Non's style art special features, and discussed the relationships between the calligraphy art and the painting and the influences of the form of signature calligraphy for the future generations. All these can provide precious experience for us in the creations method and creations motive of painting and it has extensive realistic significance. |
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