"chinese School" Animated Film Visual Style Research

The Chinese School animation movies' visual style has strong aesthetic characteristics of Chinese nation.It has great importance to research the visual style of Chinese School animation and learn it's inner essence for creating Chinese native animation.The development of Chinese School animation movies'visual style is a relentless progressive process fused traditional Chinese art forms to the in-depth content, set the strengths of traditional Chinese art and film language fusion of innovation, which has experienced a process of embryonic, prosperity, quiet, brilliant final stages of rehabilitation until gone from 1950s to 1990s.Chinese School animation movies'picture presention and animation effects shows the ingenious combination, "painting" in the "action", "action" in the "painting". The composition of picture presention has ups and downs, void-solid combination forms of aesthetic feeling. The scene has always been permeated with the natural beauty of the performance. The character modelling has inner vitality, full of charm. The using of colour presents a delicate style. Animation effect is smooth and natural, elegant smart in detail banner and perfection. Movie camera language graceful meaningful, slow, pure poetry. Imagines are magnificent, lively and interesting.Many Chinese traditional art form is the object for Chinese School animation movies' visual creation to learn, including the art form, the painting idea of Scatterplot perspective and spiraling flat coating and the rhythm which calligraphy and painting both have, the makeup design and virtual stage design of drama Chinese traditional art, paper cutting, shadow play and puppetry in Chinese traditional folk art, the painting style and spiritual pursuit of dunhuang frescoes painting,and the costumes and decorative arts of minority in other traditional art forms.The formation of Chinese School animation movies'visual style has a profound foundation of traditional Chinese aesthetics. They fuse mutually while have different focuses. Among them, which guide the creation of visual presentations are the Appearance Sprite Theory and the Spirituality Theory. Which put spirit cultivate requests to visual language is the Character Concept and Containing Taoist Theory. Which give inspirations to comprehensive aesthetic vision are the most national characteristics in classical Chinese aesthetics, respectively are the Artistically Theory and the Artistic Conception Theory.The Chinese School animation movies' national visual elements are combined with other elements perfectly. Visual elements fit well with the theme which expresses the Chinese traditional philosophy, subjects, narrative structure and characters of narrative elements, and movie music, voice of audio elements.