A Comparative Study On The Traditional Landscape Poetic Priority And Landscape Painting Image Of Tang Dynasty And Song Dynasty

The word"Landscape poetry and painting", which has its own boundary and expresses itself in a certain way, comes from the aesthetic consciousness of the Chinese culture. And it has a comprehensive and profound content which not only represents a certain aesthetic system that runs out of our vision, but also links the extended original thinking patterns, and thus makes a system of aesthetic norm beyond the psychology. The comparative study on the traditional landscape poetic priority and landscape painting image of Tang Dynasty and Song Dynasty aims to find out whether a"Post Landscape Poetry and Landscape Painting School"will appear or not based on"Landscape Poetry and Landscape Painting"In the contemporary academic field, the aesthetic of the traditional landscape poetry and painting has already changed its traditional inherent form to a vivid Chinese aesthetic. That is to say, the real sense of the traditional landscape can only be advocated by regarding it as a resource and melts it into the contemporary construction of the Chinese aesthetics, and through its heterogeneity which then makes the mutual interaction and mutual complement of the Chinese and western aesthetics. However, to achieve its value, painters should not only stick to the contemporary stand, also, they must base on the Chinese cultural activity and the Chinese aesthetical experience. Besides, to solve the contemporary aesthetical problems is also a measurement to ensure the efficiency of the aesthetical research of the Chinese traditional landscape poetic and painting.The reflection of Chinese traditional aesthetic, which is grounded on Chinese contemporary culture and landscape image, will certainly involve the problem of shifting the traditional aesthetic to contemporary aesthetic. When the classical aesthetics and concepts of literature and art, which are on the way to the contemporary world, are successfully cleared up, it will be the time that the contemporary value of the Chinese traditional aesthetic can be achieved. If so, we can not only have strategic thoughts but also experimental attempts to rebuild a Chinese aesthetic of the poetry and painting.This article, on the basis of the theory of landscape poetic priority and landscape painting image of Tang Dynasty and Song Dynasty, is to reveal and summarize the characteristics and experience of the landscape of poetry and painting, and then to excavate how the art of the oneness of the landscape of painting and poetry pregnants with meaning to the psychological need and aesthetic psychology in the modern world.