Ink Morpheme In The Application Of Poster Design

Painting is one of China's traditional culture, includes the traditional Chinese culture, it is with Western painting has a certain distance and maintain the independence of a nation with deep cultural roots of art style.A long history of traditional Chinese ink painting, after a long-term development, has developed a unique painting language, as most of the traditional culture with Chinese characteristics, there is a deep cultural roots of national art, with its profound Chinese culture, on rich content and form of the design is great treasure, is rich in nutrients graphic design, a profound impact on contemporary designers creative thinking and creative style.China's modern graphic design is based on local culture, maintain and carry forward the characteristics of modern graphic design while still requires diverse culture, especially the support of traditional Chinese culture to adapt to modern society, exchange of information and communication needs. From the composition of traditional Chinese ink painting, color, pen and ink techniques, and mood, etc., will be the development of modern Chinese graphic design adds rich nutrients. Contemporary graphic designers should focus on the concerns of the national culture and exploration, this sense of national consciousness and the combination of design, precisely reflect the characteristics of a national aesthetic enhancement. As a contemporary graphic designer, we should strive to make ink visual language, a new aesthetic to convey the information and culture, aesthetic concepts of traditional and modern artistic trends of integration, combined with personalized forms to create a more Chinese culture characteristics of design. Contemporary designers in the design process, reference should not be merely ink forms of imitation, but also need to explore the deeper elements and content, and these elements into a design language, to promote China's contemporary graphic design direction to the nationalization should not be satisfied with the copy of the form of symbols and a simple imitation, but more focus on the aesthetic of traditional culture and aesthetic sense of psychological certainty, the times the height of the integrated creation.