Huang Anlun B Violin Concerto "structure

It has done analyses for Huang Anlun's "Violin Concerto in B" (Op.47b, the second part of large-sized work "Symphony Concert No.2") in this dissertation in the fields including the mode, tonality and harmony, the theme and theme material, the structure of music form, the structure of statement, etc. The structure characteristics of each movement of this work are listed as the following:"Violin Concerto in B" is organized as western traditional solo concerto structure in general:Movement One takes Allegro sonata form; Movement Two takes Larghet multiplex trilogy form; Movement Three takes Allegro assai sonata form, featuring Chinese traditional wind and percussion music structure, which gives expression in the first theme of exposition a circular form made of several times variation and repetition for the alternatively emerged theme material of "the first theme" and "intermezzo".In the aspect of melody development, it employs various Chinese and western melody principles to develop the melody, such as:repetition, sequence, split, colligation, conformity, joining head and tail of the adjacent sentence, etc. What's more, the concerto also makes importance use of cross expansion of Chinese Pentatonic Mode, for example, "Gong" mutation and modulation, subdominant expansion when "Gong" plays as "Jiao", dominant expansion when "Jiao" plays as "Gong", etc., all of which lend abundant color to the melody.In the utilization of harmony, Huang pays attention both to Chinese and western harmony characteristics:the interior of the structure employs more scale aggregation harmony of Chinese traditional Pentatonic Mode, emphasizing color sense of the mode and reinforcing Chinese feature; the connection of structures employs more western functional harmony projecting semitone tendency, emphasizing proper dynamics owned by functional harmony, and hence assisting clarity of the structure.