Xinjiang Contemporary Printmaking Localization Trend Research

The development of art would be natural geographical environment of thenatural environment and the humanities environment influence。Thus produced withobvious geographical style of works of art, artistic language form in the region,Xinjiang print is obviously a regional language of a group print organization.Xinjiang print is the development of Xinjiang regional culture and the integrationprocess, is the regional culture into emerging in printmaking, and generates arepresentative of Xinjiang style prints of the development process, both the"localization" process. While the true sense of the" localization" is not only to meetthe creation content creation style localization, localization and spirit connotationlocalization. Xinjiang print in more than70years of development time, suffered fromthe various aspects of the different effects, in one generation of a family hand prints,showing different times different appearance. This paper from the different periodsof history, historical and art exhibition catalogs to the analysis of the differentperiods of Xinjiang prints "localization" trend, and further to this period of Xinjiangprint studied and analyzed, so as to find out the reasons for the decline of Xinjiangreal prints, and for the Xinjiang printmaking creation direction put forward somepersonal views. The focus of this thesis is the second part, the" localization trend" isdivided into two different periods to discuss respectively, one is the" localization"period, two is" localization" period. In "the localization" period, Xinjiang printconstantly absorbing the local culture, thus creating the native language of prints, toeighty or ninety time to reach Xinjiang printmaking history of a hitherto unknownlocalization during the peak period, Xinjiang regional print comprehensivepromotion throughout the country, and won the mainland audience favorite. In the"localization" of period, along with the time and the new art forms and the influenceof print team tomography, a younger generation of artists mostly follows form arttrend, but the older generation artist due to various reasons, gradually less in printcreation, so that Xinjiang prints the overall creative style in localization trend beganto the opposite direction--" localization" direction of development, more and morefar and away from the public, enter the development period in the doldrums. Anengraving in Yunnan, Xinjiang engraving is gradually losing its own art language, inthe" localization" of the road, to explore their own development direction.Xinjiang art prints based on a special regional culture foundation, Xinjiangprints due to its unique charm, in the last century eighty or ninety ’s reached its peakperiod. So I think, the future Xinjiang print works, should from the Xinjiang regionof traditional culture, find a source of creation, the Xinjiang regional culturalconnotations for the deeper representation. On the regional culture basis, the pursuitof the techniques and forms of change. Xinjiang Xinjiang print is an important partof art, so looking forward to Xinjiang early the revitalization of Printmaking...