Northeast China Regional Features Of Watercolour Painting

As the saying goes: "a side water and soil raises a party person" if Chinese watercolorhave traditional single way over to diversification development, so must be Chinese eachof regional culture and embodies the results of the gathering. Along with the culturalideology of diversification and the regional characteristic difference gradually narrowed. Alot of things with a tolerance, the broadness, fuzziness and marginal including people’saesthetic consciousness ideas and living conditions are in change, and watercolorprofessional and regional also face the same challenges. Especially in a particular culturalbackground with regional environment characteristics of, should be to know, judgment andthe performance, it will be possible to form a unique style of painting works. From theperspective of natural style, northeast of the special ecological natural environment andhuman amorous feelings of the creation of life as a source, is more a unique aestheticvalue. Watercolor of emotional expression as media, through very emotional and vitality ofthe image to reflect to nature and the life of the cognitive and feelings. And this veryemotional and vitality of the image from specific regional style and local conditions andcustoms. From cultural perspective, the northeast aquarelle in culture in the central plain,minority culture and Russia, the culture of Japan the cultural integration backgroundenvironment, inheritance, development of their own national watercolor northeast ofregional features, f. Their individual style is not the same, but the overall aestheticcharacteristics has, its aesthetics nature on the pace with times, and trend of artassociation, above and beyond the general art category, with the regional stylecharacteristic reflects a particular time spirit.This paper, from the understanding of the world and the present situation of thedomestic water colors and the northeast and watercolor into, form, development, thepresent situation of background of environment. With its natural ecological environmentand human culture as the breakthrough point to illustrate the influence of watercolourpainting. Expounds the ontology of watercolor language to explain the northeastwatercolor on the basis of the particularity of; With a few th national fine art exhibition ofthe achievements to affirmation and inspire us; And through the analysis and comparisonof the theme, works form, expression to the analysis of the characteristics and itsnortheast watercolor reflects the spirit of humanity. Thus revealing as a regional featuresof the northeast and watercolor formation, development and existing reality valuesignificance. This paper not only emphasized the watercolor of the history and culture oflong, more emphasis is on the history of this region culture development and the description of the life experience. Painting is not the social interpretation tools, but theycannot break away from the life of the land and open the edification of the regionalculture influence. Painting is not the interpretation of the life, is the attitude to life and lifeexperience, description of visual culture.