The Transformations Of China’s Avant-garde Writers

In the1990s, the banner of the rise of formalism and the narrative revolution "avant-garde" nodoubt faced with the predicament of writing and theoretical innovation. The formalism experiment can notbe continued, the pioneer team of the1980s gathered together quickly dissolve itself, and came to thedifferent dimensions of writing. They are no longer reluctant to "form" of the text, which no longer indulgein the mists of history. From1990s to the present time, however, the former fame of the pioneer writers didnot give up the pursuit on the creation. Facing the current "reality" and have new understanding of thevalue of traditional Chinese literature, many pioneering writers become to re-creat new text..Pioneer writersafter the transition should also continue to pursue the "pioneer spirit" to get people’s attention.This paper is divided into three chapters, the first chapter by the combing of the research results ofChinese avant-garde novel concepts defined and pioneer in transition, initially put forward their owninspection in accordance with the direction of the transformation of pioneer literature. In the secondchapter,we analyze the reasons of avant-garde writers transformation. Chapter three is a combination of thethree representative of the pioneer writers as a text basis, and eventually come to Yu Hua’s "realism" intransition, the efforts of Ge Fei reconstruction and traditional literature, as well as the Bei Cun for thehuman spirit to seek the ultimate convert creation as a creative transformation of the Chinese avant-gardenovelist three typical directions. From their transformation,we can re-examine the contemporary literaryworld in a series of important proposition, such as traditional and reality, form and meaning, ultimate careand consumption discourse, such as arguments and significance to provide examples of breedinginterpretation.