On The Homeland Complex Of The Local Novels In The1930s

Local literature occupies a very important position in modern Chinese literature. Sincethe Local literature has been created by Lu Xun in the early twentieth century, it affected alarge number of young writers to write the creative the local Literature. Native writers in the1930s felt that the crisis of social unrest and ethnic cultures are influenced by the invasioncrisis of modern Western civilization. And under this kind of worry and anxiety, they began toexpress their affection on national culture and the reconstruction of the traditional culturalideal.The writers’ local novels have the unique style in the Chinese modern literature, such asFei Ming, Shen Congwen, Lu Fen and Xiao Hong，with the completely different from the1920s to the realist and critical creations.The local literatures in the1930s have obvious"homeland " complex, and is in the process of modernization of Chinese culture in the1930sunder the motif of the "homeland". The local literatures in the1930s have a unique mode ofnarration,often using the childhood perspective to write the local world, and make the storytime and text time with a longer deposition process by memories or nostalgic narration mode,On emotional experience and emotional communication as the main content of the novels, thenarrative rhythm exhibits a soothing and peaceful features. The local novels in the1930sshow a different aesthetic character and present a strong sentimental lyrical mood and theartistic pursuit away from the politics of the times. These local novels hoped that practice thevery nice character to reach the purify and beautify literary and artistic concept. They throughto the local traditional folk and honest human nature to shape the national noble personality,to achieve the reconstruction of the traditional Chinese culture and the transformation ofsociety and the desire of revitalizing the national.