The Style Study On The Epigraph Of Han Dynasty

The thesis bases on the aesthetic sense of the style research and gives it a sense of the times. The standard and basis of the classification considers the tripling attributes of the subjective and objective factors of the epigraphs of Han Dynasty, but not only by individual superficial aesthetic feelings. In the research, I merge the similar features of the styles and analysis the essence from structures and strokes.In this way, I can draw a more objective, comprehensive and scientific conclusion.The content of the article is divided into four parts.The first chapter defines the concept of the epigraphs of Han Dynasty the study object of this article is broadly refers to the concept of the epigraphs---the stonecutting of Eastern and Western Han Dynasty in general. At the same time, we can carry out the interpretation and localization.The epigraph constitutes a special aesthetic type from which we form a special stand.The second chapter discusses the basis of classification in details.It includes the three attributes of official, artistic and recreated styles which directly cause the diverse forms.Only to conduct a detail study,can restore the truth. And it is unapt to add our objective aesthetic consciousness.The third Chapter is mainly about the classification and research of the styles of the epigraphs Which are divided into zhuantilishk fangzhengkuanjie and bafenshu style. I made objective analysis on the characteristic, structures and the most typical epigraphs.The fourth chapter comprehensively discusses the intrinsic parallel relations among the three styles under the analysis and research on the three styles of the epigraphs and puts forward the judgment basis.The three styles don’t represent the three stages of the evolution from the seal character to the official script.The epigraph is under the development of spontaneous but not subjective nowadays. It achieves both the practicality and artistry.The research on the styles of the epigraphy should be put in the cultural background but not just in terms of the subjective aesthetic and divide the styles artificially. We should consider more about the subjective and objective factors on the impact of styles, in order to classify the styles more objectively and scientifically.