Study On Study Of The Ethnic Style Of Chinese Animation Film

Animation since twentieth Century20time pass into China, China’s traditional animation film has experienced90years of development history. In our country the animated films of the early stages of development, the emergence of a group of rich ethnic customs of the fine arts, such as the Havoc in Heaven, Nezha, Feeling from Mountain and Water, Legend of Sealed Book. These excellent domestic animation movie is based on our traditional national culture, to shape a group of Chinese characters, reflects the strong ethnic style, but also won the international animation industry recognition, and is known as" Chinese school". This is the Chinese animation film art achievements and support, also specified in the animated film the road of nationalization development direction.But from twentieth Century since90, the Chinese animated film in the United States and Japan under the impact of globalization strategy, began to pursue the high-tech applications, mimicking the animation movie art style, thus gradually losing the" Chinese School" unique style, and therefore lost with the United States, Japan animated cartoon film capable of counteracting.In this paper the national style of Chinese animation movies as the breakthrough point, through the study of domestic animation film national development process, analysis of the United States, Japan animated cartoon film national style, discuss our country animation movies in character design, theme, and other aspects of the lack of humanistic spirit. In the context of globalization analysis of China’s animation film Nationalization Style deficiency and puts forward some coping strategies.