Gouache Painting Freehand Brushwork In Traditional Chinese Painting Study

Gouache paintings in the contemporary context, in terms of how to make it more rich flavor of the times, while the rich cultural connotations must face the problem. Own characteristics according to gouache its deep-rooted in both form and content to explore, through the modern constituent concepts and freehand thinking organic form Freehand constitute the basic concepts and guide the creative practice of contemporary gouache. Improved before naturalistic realism creation concept to make the structure more clear, simple and more modern aesthetic mean Freehand introduced into gouache gouache screen is trying to make the works in the form of a mere show the rich cultural connotations which make it even more ethnic characteristics. The research is from the resolve of the West Point, Line the concepts start and be a brief discussion in this section focuses on the point, line, surface constitutes the basic concept and aesthetic principles, and then analyze the point, line and surface independent aesthetic value as well as the need for the introduction of the constituent elements in gouache, and is also involved in this part of the discourse of knowledge relating to visual psychology; thus combing Chinese art freehand, focusing on the Chinese traditional freehand spirit writing and imagery of two gouache paintings closer relationship the two aspects are discussed on this basis in the freehand thinking under the guidance of gouache freehand constitute; next impressionistic principle form of gouache further argument constitute the impact and role in this part of the gouache introduced freehand constitutes the possibility, freehand spirit of the guidelines under the gouache constitute, and cultural psychological form of gouache constitute the inspired three aspects of discourse constitutes the core part of the full text. In this paper, gouache paintings contemporary and nationality effectively expressed this proposition, combined with their own thinking and creative practice, select the point of view of Chinese traditional art of painting freehand cut and depth discusses trying ported to gouache paintings in Western art rooted, in order to make it more contemporary and national feature.