Cultural Memory And Language Constructs

This thesis of iconography and artistic phenomenon as a theoretical basis for the review ofChinese and foreign art history research methods, combined with their own oil painting practice,through the analysis of typical artistic style and outstanding oil paintings, contemporary culturalcontext the creation of the Western image painting style and context. This thesis describes the roleof cultural memory image painting language selection and Construction, and to study thepresentation of image painting language in the country.Described focus of this master’s thesis, is typical of creative language with characteristicswith the domestic image painting context to analysis of image painting. Artists and art works invarious stages of carding is to study the main way. Comb in accordance with the image in thepainting, application development trends and development context of images of oil paintings, tobuild the language of the specific study of the country image painting.This thesis is mainly divided into four parts, the first chapter of the narrative image paintingin the West, from the classical period to an overall context of contemporary trends, thedevelopment trend of image painting in the West; painting of the second section presents theimage in China three specific stages of development, China photo realistic oil paintings from theWestern system as the specific to the various stages of the formation of a specific image oilpainting style, their own cultural background, creative development and changes in form; the thirdchapter is on specific cultural memory built in the image of Chinese oil painting language specificcultural memory of the artists of each historical stage is a concrete manifestation of the times,combined with creative language comparative study in the West in this area, explore the languageof oil painting; fourth chapter is to study the significance and reality of its existence and to offerconstructive advice, and discusses its localization trend. The full text of the subject for thediscourse of contemporary Chinese oil painting by localization image painting language, discussesthe widely used image painting language constructed by the impact of cultural memory of theimage elements in the Chinese contemporary art for the introduction of the Western system.