Chinese calligraphy theory is described as “ocean of imagery”. Inthe cultural system called as “learn from nature”, the ancients usuallydevelop the close association and analogy association to describe thebeauty of calligraphy.“The princess and the loader dispute” that come from the daily life,is inspiration of calligraphy creation thinking. At the princess and theloader dispute images includes Princess and the loader, the contradictoryunity of opposites, and reflected the calligraphy structure of Yirangorder, rhythm of write skill, visual beauty of the power and potentialtangled and multi-level temporal regularity.The article sets out from the analysis at princess and the loaderdispute images, summarized the morphology and spatial characteristics,systematically expounds calligraphy esthetics meaning in the macro socialand cultural background,spatial-temporal correlation of “Yirang”orderand calligraphy---sculpture common“constructive”. |