Research Of Hong Kong Film’s "Undercover" Image

The current academic research on the Hong Kong film in the study of "genre films" significantly more than the study of "characters",some of the characters in the image of the Hong Kong film analysis only mostly just as a part of the film text research exists,mainly from the traditional concept of the character to the style of the characters style,personality,moral and spiritual,psychological activities and other aspects of review,focuses on the analysis of the characters and the expression of the relationship between movie text and social,historical and cultural information contained on the back of a few types of characters to explore and reveal the works.A "type character" as a Hong Kong local characteristic,in black and white between the "grey areas" "undercover" who can not only play a key role in promoting the development of the plot,the character itself contains secret,contradiction and complexity can also let us to look at the Hong Kong society from different angles.It is no exaggeration to say that the Hong Kong film in the "undercover" image of the evolution and development to a certain extent implies that Hong Kong social changes and development,in-depth study of these undercover image,also helps us to better understand the social culture of Hong Kong and Hong Kong.This paper will be filmed in 1981 of Alex Cheung ’s " Man on the Brink " since the Hong Kong film(including co Productions)in "undercover" image as the main object of study,follow the development of Hong Kong film and Hong Kong the pace of society,combining sociology,narratology,communication,psychology,art,science and other disciplines related to the film type the theory of knowledge,the historical research method,text analysis,comparative analysis and other research methods,the depth of the characters of the decades in Hong Kong film "undercover"--Analysis of the text itself to film from the history of the evolution and interpretation of the undercover role they played in the film narrative text the function,from the extension of the text undercover image of the cultural formation mechanism and the value of its spread,in order to Hong Kong in the movie undercover image made In the table and view.Besides the introduction and conclusion,the thesis is divided into four chapters.The first chapter,the history of the undercover role.With the return of Hong Kong," I Want to Be You " was released and the CEPA Protocol signed the three Hong Kong film in the history of the important time points as the dividing line,carding and detailed analysis of the development of the shape of the " Man on the Brink " since the Hong Kong movie undercover image evolution,combined with the background summarizes different characteristics the undercover image shown in different periods in Hong Kong cinema.The second chapter,the narrative function of undercover role.The narrative function with narrative character theory research on Hong Kong undercover role in the movie is discussed,to clarify the relationship between the characters and narrative characters,that is an important element of narration,exploring the role of undercover is to play a role in the film narrative text in Hong Kong.The third chapter,the formation mechanism of cultural image.Proceed from Hong Kong ’s colonial culture,public culture and commercial culture and other social historical and cultural perspective,the cultural formation mechanism of back undercover images in the Hong Kong movie,identity,the image of the aesthetic consciousness and undercover type tendency problems in detail,hidden behind the characters of deep mining of "undercover" deep and special the cultural connotation and artistic connotation.The fourth chapter,the image of the undercover communication value.Comprehensive use of communication theory,to explore the value of image transmission undercover,to further explain the image to the Hong Kong film undercover communication carrier are widely spread,the impact on the social,artistic and economic fields and benefit.