Seal Cutting Form And Composition Of The Freehand Brushwork In Traditional Chinese Painting Of Flowers And Birdslearn From Each Other

Seal cutting is a special Chinese traditional art. Qin and han dynasties to seal unique style and the height of the art, for the art of seal-engraving laid the foundation of the fine. The indians in past dynasties of creation practice constantly, and gradually create, enrich and develop in the art of seal-engraving formal beauty. And as China painting sketching-ideas manner of a kind of form, so its composition modelling speaking, belongs to a kind of creative expression of improvisation, the requirement to first have a card up one’s sleeve, pen, form a coherent whole. A painting, the composition is an important factor of success or failure in creation, so there are put forward on the composition, layout in this article. The so-called composition, layout, also is the composition, namely in the law say six management position. Seal cutting layout and freehand brushwork in traditional Chinese painting of flowers and birds kept in the same place, the two common can each accommodation, draw from each other. Therefore, the indians are consciously or unconsciously in the form of a are discussed, as far as possible so as to meet the perfect state. The artistic conception of sketching-ideas manner, meaning, all is the painter with experience of the thing, is the soul. This comes from the painter to experience life, experience and training. So in composition, form the mental note, so start writing will have the basis. Freehand brushwork in traditional Chinese painting, is in shape to write to god, and the key point is that the author before writing, on the image to a complete creation idea. After the analysis of the conclusion is the form and the pursuit of the rich and different form have a lot of use for reference each other place.