Research On The Ci Lv In " Quan Song Ci " From Seventy-seven Words To Eighty-three Words

Ci, is one of the main form of literature in The Tang and The Song Dynasties,it can be saidto be one kind of music literature.It began to appear from The Tang Dynasty, in the middle andthe late Tang Dynasty it gradually mature, in The Song Dynasty, it developed to the peak, thenthe words’ content is extended, the theme and the form is also becoming more perfect. But inthe Yuan and the Song Dynasty, the development of Ci stoped, until the Qing dynasty,itdeveloped again.Ci as the brilliant achievement of Chinese literature development, has been the concern ofscholars, in words as the object of study of the "Ci".however, this subject until twentiethCentury gradually independent. Research on Song Ci predecessors is mainly concern from thelevel of the literature, while the rhythm or rhyme study is less, but as the The collectiong oftunes of Ci poems of imperial collection by Wang Yiqing, the poetry theory of Chinese by wangli,and other famous works of Ci poems in poetry, which has an important position in the historyof Ci, but there are some problems. Such as the number of songci collection is not enough, notuse the exhaustive method to search and summary, not comprehensive,and so on.This article mainly from the angle of phonology of Song Ci. Based on Quan Songci byTang Guizhang for transferring dibon, also refer to the new achievements in the research inrecent years, using the research methods of literature study, statistics, historical comparativemethod, Quan Song ci in the seventy-seven to eighty-three range to meet the requirements offive hundred and forty-seven poems be treated as the research object, every word of the sound,rhyme,and tone would be markd,then summarizes each tune, points out its tonal patterns andrhyme, and use The rules and froms of ci, The collectiong of tunes of Ci poems of imperialcollection,the rhythm of china and other works as compared research, and then complete theanalyis of rules and forms.This paper consists of the following five aspects: The first part, introduction. This part is divided into three sections, the first sectionexplains the reasons and significance of this topic, introduced the Song Ci’s status as well as theresults of previous research, explains the significance of this study, the second part, make adetailed analysis for research materials and content of the research,. the third part introduces theresearch innovation and research methods of this paper.The second part, Song Ci. This part analysis the origin of poetry, Ci, rhyme relatedknowledge were analyzed. Lay the theoretical foundation for the following research contents.The third part, the analysis of specific Cipu format.. This part is the main part of this thesis,it is also a part of the innovation. It analysis seventy-seven words to the the eighty-threewords.of Quan Songci. In this part, by using the method of exhaustive, five hundred andforty-seven poems of Quan Song Ci are analyzed and studied in detail. The first is the tune, theoverall situation of the tunes are introduced; secondly, the system analysis, the number of words,sentences, etc. in the form shown, lists out the traditional, variants, followed by the word.Finally, summary, comparison with other works, find out the similarities and differences.The forth part,the rhyme analysis. Guang yun “the sixteen she” was taken as the key link,analysis the rhyme of each Cipai,and then organized into form to be present.The fifth part, the conclusion. This part summarized the dissertation.