Study On Rules And Forms Of Classical Of Songci

Poets of Song Dynasty writed Songci always by its melody and tune, therefore, many operns had come into being. Along with musics of Song Dynasty died out gradually, poets after Song Dynasty had to write something only by Cipu(词谱),which based on operns. Although these Cipus didn't related with music tightly, they reflected the sound of chinese in Song Dynasty partly.Developing linguistics research through rules and forms of classical of Songci, is a fire-new point of view. Firstly, plenty of tongues were used to indite Songci, which can reflect the sound visage of Song Dynasty very veritably. Secondly, this point of view is very veritably, we can not find many cases in forgoing researchs and discussions.On the other hand, reviewing rules and forms of classical of Songci with the sight of linguistics, we find that foregoing investigators has do someting wrong and pretermission in their research of Songci's Cipu.We used Quansongci (edited by Tang Guizhang & Kong Fanli) as the basic material, and adopt some latest achievements on Songci. We programmed some software to aidding our research. Limited to the time, we can only select some of the cases to research drastically. But we have executed Quansongci database and some interrelated research programs, which will be helpful to latter investigators.In this article, we procure two points of innovation: Firstly, we summarized the Cipu of five Cipais (词牌), and redressed forgoing research's errors and pretermissions. We also discovered some new anamorphosises and formats drastically for the first time. In the field of Cipu's revising and emending, we acquired systemic and integrated production. Secondly, for the first time, we investigate the sound of Chinese in Song Dynasty with rules and forms of classical of Songci. we have discussed some polyphones appears in rules and forms of classical Songci, and concluded that the sound of Chinese in Song Dynasty were evolving from mediaeval sound to neoteric sound.