The Whole Song Lyrics From Sixty-seven To Sixty-seven In The Six Of The Ci Study

Ci（词）appeared in Tang Dynasty. It is the lyrics of Yanyue initially. It becomes one of literaryof forms of literary after literati developed and advocated Ci. Before Tang Dynasty, poetry wasthe main form of literary works. As a form of literary, Ci did not appear until the late TangDynasty. In the Song Dynasty, Ci became a symbol of the literature in Northern Song Dynastyand it was also the summit of the Song Dynasty. In this period, the new tunes emerged, thecontents of the Ci enlarged, and the form of Ci developed increasingly, which created theresplendence of the Song Dynasty literature. At the same time, Ci also had the nature of classicalliterature. Song Ci （宋词）is regarded as the treasure in the history of Chinese literature withTang poetry and Yuan opera.As an important form of literature in the history of Chinese literature, scholars have beenstudying Song Ci. But most scholars studied Song Ci from a point of literatury view, few studiedin phonology. My paper will study Song Ci from the point of view of phonology, ranging fromsixty-seven to seventy-six.Currently, Quan Song c（i全宋词） written by Tang Guizhang is the most complete version.My paper is in the base of Quan Song ci and absorbs some other achievements such as Qin DingCi Pu（词谱） written by Wanshu and Hanyu Shilvxue by Wangli. I will start with Quan Song ciwhose word number is more than five as the object of the study. In addition I will put them in thescope of the study. Then I will check with the other three books. If it cannot be effectivelyconcluded, I will refer to other relevant bibliographic.The object of the study is works form Sixty-seven to seventy-six words in Quan Song Ci.We will study them in details through labeling the onset, rime, tone, level and oblique tones. Sowe may acquire the details of each Cipa（i词牌）. On the one hand, this study will fill in the blankpart of Ci poems in a certain extent. On the other hand, it has important meaning to the origin,evolution, and even some tunes of Ci Poetry variantsSpecific research of this paper is divided into four chapters:Chapter One: Introduction.This chapter will describe the reasons and the significance of the topics of the papers, as well as the research objectives and research methods.Chapter Two: SongCi SummaryThe chapter will describe the basic situations of the Song, including the origin of theSongCi, the sorts of SongCi, Cipai and Cipu, rhyme, antithesis and so on. I hope that readerscould have a basic understanding of SongCi.Chapter Three: Cipai format analysisThis chapter will analyze the specific format about Cipai, including the summary aboutCipai, the analysis of the Cipu and the analysis of rhyme. This chapter is the core chapter of thispaper. The chapter of Cipu introduced the basic situations about Cipai, for example, the numberof authors, the number of Ci, words, rhyme in form. And I will enumerate the Zhengt（i正体）andBianti（变体）. At the same time I will illustrate my point. Differently I unfolded my point ofview in tabular form. In the Summary part, I will compare the Cipai situations in written formwith other advocates of various writings, which are the focus of this paper and innovations.Chapter Four: EpilogueFinally I will summarize my paper.The paper is divided into four chapters above, the core part is chapter Three. This chapterwill overcome others’ shortcomings, and I will use exhaustive study instead of individualresearch. I will also reclassify the Cipai between sixty-seven and seventy-six words. And thenwe will contrast them with the other scholars to identify the real Cipai.