Aesthetics And Language Symbols Of Huizhou Brick Carving Decorative Pattern

In ancient Huizhou, located in southern Anhui Province, including Shexian, Yixian County, Xiuning, Jixi, garden gate and into the territory of Jiangxi today in six counties of Wuyuan province. Among them, the so-called " Sanjue " brick, wood carving, stone carving, either carving skills, or image connotation are rated first-class. Brick carving in Huizhou has a long history and aesthetic characteristics, Huizhou brick carving decoration itself is building components, building as part of the decorative arts, its exquisite handmade crafts, vivid image, high aesthetic value, ingenious conception and emblem send building, very clever and construction of indoor and outdoor space com., common achievements of the glorious and resplendent culture of Huizhou, makes it natural, simple, elegant art characteristics and Research on it can make us from another side to understand Chinese traditional architectural culture value, better inherit the traditional architectural carving esthetic characteristic.Through field investigation, consulting a lot of literature related to related to research, into the aesthetic features and language symbols of Huizhou brick carving decorative pattern of. This paper mainly conducts the research through the gate, gate of the ancient people in Huizhou living on the cover, wing wall face brick, from five aspects to carry on the discussion. First, in Chapter one, the purpose and significance of this topic, the research status and problems, both inside and outside the province, in this paper to solve the research methods are summarized in this paper. The second chapter analyses the origin of brick from the historical background of Huizhou brick engraving the development point of view, expounds the evolution of brick in the development of each period, the effects of Huizhou traditional culture on the formation and development of Huizhou brick engraving. Reflect the rich merchants and penetration effect of culture, Huizhou art, traditional aesthetic ideology of Huizhou brick art. The third chapter is the study of Huizhou brick carving decorative graphic aesthetics characteristics, combined with the form of beauty of Huizhou brick engraving creation of aesthetic psychology, decorative pattern, and the system expounded the aesthetic connotation of Huizhou brick carving decorative pattern, the unique linear modeling beauty, image beauty and from beauty of space structure, make full use of brick sculpture in Huizhou as the aesthetics connotation of decoration art field of extraordinary, explore the rich aesthetics features, with strong folk art style to convey to the audience to the influence of the United States and enlightenment. The fourth chapter discusses the artistic characteristics of the brick carving decorative graphic language symbols, finishing the Anhui folklore, opera figures, flowers and birds, beasts, Babel story, Curio-pattern, test graphics language symbols, test material, and strive to learn more decorative graphic language symbols reflect the history and culture, history, folklore and natural landscape, including symbol, image symbols, symbols, and auspicious symbol, compare and reference from the creation of the artistic conception, modeling, and refines the brick art language each area symbols, similarities and differences. The fifth chapter analyzes the application value of Huizhou brick carving decorative graphic symbols in modern design, presents to its modeling language symbols, graphic language symbols, language symbols brick materials and the aesthetics and cultural connotation of reference, emphasizing the application characteristics of the graphic language of symbols in modern design, with some outstanding case, carries on the instance analysis application of Huizhou brick carving decorative graphic symbols in modern design, to think about what the technical means what to achieve a new era of Huizhou brick decoration design and graphic language symbol integration, its value and application value of culture combination, make its value can be fully manifested, which reflect local Anhui the cultural characteristics and the era of unique. The last is of the comprehensive summary.This research helps us to the ancient Huizhou local characteristics and cultural spirit of understanding and deep understanding of the traditional culture of Huizhou, also has an important significance of brick art to other places, have certain advantages in resources and market prospect, Huizhou brick carving as one of the world’s most historic traditional culture, its graph sign language is the design using the important design language, which has a very rich implications for modern design, through a more detailed analysis and feasibility studies, worthy of art and design workers continue to refine learning, learn something valuable from,favorable to promote innovation and development of Anhui cultural industry, with the academic value and practical significance carry forward the traditional culture of Huizhou.