Graffiti Art In The Urban Public Space Development Application And Research

1960s graffiti began in the Bronx area of New York’s poor, together with Rap, DJ and hip-hop are recognized as one of the four elements of culture Hip-hop, due to the historical background of graffiti art, expression, emotion characteristics and the relationship between urban public space, making it withstand a variety of criticisms, mixed views in it, so graffiti art as far as these elements are called popular or cultural, but hovering on the edge of art, is regarded as a marginal visual arts, and even be regarded as an illegal form of art. But with the change and development of the times, each of the family and the world of cultures go to coalesce, people began to understand and agree with this form of art.Graffiti art has diverse form by itself and personalized color expression, along with the rationalization of the use of artists, content gradually diversified and urban space elements continued integration and harmonious development trend showing a gradual public space in the city shining charming glory. Interpretation from the perspective of graffiti art and urban public space, urban public space is a showcase of art and culture and the media, the city absorb and accommodate a variety of artistic elements in the development process, this must also include graffiti art is full of rebellious spirit of the visual arts form, graffiti art urban public space is the survival and development of the carrier, graffiti art as a public art urban public space is also an integral part of, and therefore the role of graffiti art on the various elements of urban public space, especially graffiti art by the people more and more attention in the future possibilities and directions of development of urban public space. From forms of development of graffiti art development we can easily see that it is also a positive attitude in order to move forward towards, for example, frequent attendance at large public places, in the commercial district, residential areas, and even government buildings other places, but also to other forms of books appeared in literary magazines, clothes, shoes and other fashion industry, penetrated into all aspects of popular culture. Therefore, we reasoned believe graffiti art has turned from a remote corner of the field of view of public space, the space never changes to the canonical norms of space, the possibilities of art to the mainstream art from the edge of change.In this paper, a " visual text analysis " methods of qualitative analysis and the "public space" multi-dimensional interpretation paradigm combining organize a lot of graffiti text data associated with urban public space, and to collect a large amount of picture information as evidence, and then public space to analyze graffiti art. Focuses on the analysis of the relationship between graffiti art in urban public spaces that exist in both the value and the final results and the possibility of contemporary graffiti art used in the future direction of urban public space and to analysis the graffiti art’s new trend in the development of Chinese native.