The Study On The Influence Of Form And Verve In Landscape Painting In Six Dynasties

The concept of form and verve is the core value of traditional painting theory and aesthetic of China,and it is the most Important stages to rise up and maturity of the the Chinese traditional landscape painting in six dynastys, and it lays the foundationabout the theory of thelandscape painting. In this paper we discussed the development and influence in the later dynastys from the form and verve thery witch is rise up in six dynastys, and probed on the inheritance about the form and verve thery from landscape painting in the later dynastys.First and foremost we interpretation the basement of the landscape painting theryof form and verve in six dynastys,suppose by the author is that the influence the thery of form and verve in painting that influenced by Wen-jin metaphysics，the thery ofform and verve that introduced into painting has influenced the landscape aesthetics and landscape painting. It is the dynasty to excavate the aesthetic experience from natural landscape and this experience promotes the landscape painting creation in Wen-jinand the Nothern and Southern Dynastie, the practical foundation is the most importantpart of the emergence about landscape painting thery，at the same time painters andcelebrities analytic landscape painting deeply from two aspects of landscape painting creation and appreciation; The existence condition from practice and thery about landscape painting made it possible about the thery of form and verve appearance in landscape painting.In the next place,this paper prove the introduction of the thery of form and verve from figure painting to landscape painting from <PREFACE OF PAINTINGLANDCAPE>by Zhong bing and <LANDSCAPE STONE ROAD>,no matter clearing the mind and smelling or accident for spirit they all come from the thery of form andverve by Gukaizhi who lived in the Eastern Jin Dynasty,we discussed the inheritancebetween them.At last exposition the influences about the thery in the latter dynasty from drawing creation and painting theory educed that the thery of form and verve inpainting in six dynasties had effected the thery of landscape painting and the thery oflandscape.