Application And Research Of The Relationship Between The Virtual And Real Roam In Graphic Design

With the improvement of people’s living standards and growing popularity ofinformation and technology, There are many relations between people in variousaspects such as communication, cooperation and coordination, which are also notsatisfied with the law and the concept of the convention, but also has a higher demandfor the economic, culture, education and ways of thinking and aesthetics. In this case,the popularization and application of graphic design also showed more meaning andvalue, in graphic design there are many elements including graphics, text, color,composition, materials, and there are Aesthetic Principles in graphic design includingcontrast and unity, rhythm and rhyme, symmetry and balance, and contrasts with theunity is particularly important. Any piece of work has a comparative relationshipexists, such as the size, proportion, primary and secondary, density and contrast thevirtue and real roam.while the graphic design needs have its own unique languageand artistic charm, which requires us to absorb nutrients from the soil of traditionalChinese art, and learn the essence and reject the dross, but as the relationship betweenthe virtue and real roam of traditional theory in China,it can provided anindispensable condition for this purpose.Through the depth analysis and research ofthe relationship between the virtual and real roam of Chinese traditional art theory,and then summed up its meaning and connotation and denotation in graphic designtheory, so as to know our practice. It plays an important role in performance andresearch and exploration of traditional Chinese theory, and graphic design theory ofthe development of traditional and modern, inheritance and innovation in Chinesecontemporary design. Only the effective combination of China and foreign countries,traditional and modern, individuality and commonality, can we create vibrantoutstanding works of the nation and the world.There is one issue can be divided into four levels to analyze and interpret. First,from the first level of the virtual and real roam of traceability, from entry, philosophyand painting to performance, second, the Specific Embodiment of the relationship between virtual and real roam in other categories in China. After the second levelconcluded from the analysis and interpretation of the first chapter’s summarizes, so asto summary the specific content and refers to the relationship of the virtual and realroam in the Chinese traditional art, from the summarization of the three aspectsincluding visual, content and form. The third level focuses on the detailedexplanation and description of relationship between the virtual and real roam fromlayout and concepts in graphic design.The fourth level is to analyze the meaning andvalue of the relationship between the virtual and real roam in the graphic design.