On Family Narrative Mode "White Deer" Of

Since the advent of the beginning," Bailuyuan" to " pad coffin" work won the majority of readers and comments to the media outcry, the studies on it have formed a plurality of complementary pattern, to provide the reader with a broad perspective. But" Bailuyuan" but as a department to write family motif as grand narrative fiction has not been given due attention, especially in" plain" family narrative mode to set the column designed to research articles is not had. From the family motif literature point of view," Bailuyuan" author Chen Zhongshi is in fact the inheritance is original family motif of the narrative model based on more open to writers’cultural vision to look at new era novels, eventually become contemporary family theme novel epitomizing, text in a variety of family motif narrative mode undoubtedly in this novel has been artistic tradition and change, which itself is a effective innovation. Therefore, this article attempts from the Chinese Ming Dynasty to the contemporary family motif novels rheological point of view, use of narration, aesthetic and cultural theory, through a close reading of the text comparison and empirical analysis methods to" family theme novels" as the reference object, perspective" Bailuyuan" unique family narrative mode, in order to make research to have certain academic value and aesthetic value." Bailuyuan" perceived the inheritance and development of folk culture of family motif fiction narrative mode, the traditional family history and family cultural narrative mode to cut the entrance, through the study of familial Shi Chuanlai perspective study of family culture, so as to a folk intellectual cultural position outline Bailuyuan on family" Genesis" myth, family of characters and family history, the first time from positive family culture in the traditional society existence rationality, it goes beyond the mainstream culture to the traditional family culture bias, based on a wider cultural field of vision to exist in the traditional feudal society and the basis of family culture rationally reflection, ultimately to the elegy sentiment expressed the family culture toward the decline of family classical narrative mode, which shows a folk value standpoint of intellectuals. The novel both in the manifestation of familial culture connotation or the creation of artistic aspects obviously inherited the new era family theme novels narrative pattern, with folk narration mode to traditional family culture art reflected, thus becoming the contemporary family novels creation motif classic text. " Deer" in the plot structure, narrative mode also reflects the artistic inheritance and evolution. The isomorphic State-Family narrative mode of family motif fiction is generally adopted a depth of narrative mode, it has inherited the family theme novel’s narrative pattern, will perplexing the fate of the characters into the historical changes of the times; on the other hand, and with a dense history information and the latent cultural codes, reveal Chinese family in the historical process of a kind of inevitable and unique national rise and decline. In addition," Bailuyuan" broke the previous class antagonism between two yuan narrative mode but also fell into another kind of binary opposition between the two" family narrative mode, namely two family as different interests of the community of fort. Bai Jiaxuan and Lu Zilin as moral level two confrontation, the former righteousness and the ugliness of contrast and contrast. The contradiction between this family and the family tradition of ethical values interweave together, as an understanding wife and loving mother and bedazzle whore dichotomy, the conflict between father and son are in two yuan of antagonistic narrative model in the new deduction, at the same time, the novel family motif used in rebel and redemption narrative mode, revolution and love narrative mode appears in the novel White Deer Plain".". The author mainly through the black boy and Bai Xiaowen back to the ancestors of the plot a profound expression of the younger generation after home, wandering family treason later again the human spirit homestead road to redemption. Ling Bai Zhaopeng, deer, deer Zhaohai such as a new generation of intellectuals from the rebellious also betray feudal arranged marriage begins to move toward the revolution, because the revolution and love, this narrative mode is the Cultural Revolution during the seventeen years of family motif in the novel revolution and love narrative mode extension.As a new era of family motif novel masterpiece," Bailuyuan" also by strengthening the language symbol metaphor and culture to construct the text, the text of the novel internal shows an obvious metaphor model. It is dominant to the White Hart metaphor, together with auxiliary figurative griddle, white wolf, copper, constitute a common metaphor construction and meaning expression of the narrative mode, reveals the text central theme, and for text provides a poetic metaphor. At the same time," Bailuyuan" author Chen Zhongshi through the cultural metaphor narrative pattern of its traditional culture into the" Bailu spirit" the cultural symbols, in" Bailu spirit" as a metaphor for traditional culture, and throughout the novel always, by traditional culture outside be inopportune or inappropriate and inner self digestion of on the Deconstruction and reconstruction of traditional culture, which implies the ideal of their new national culture reconstruction.In conclusion, the thesis of Bailuyuan" unique narrative mode analysis, found" study" in art form exists a lot of family motif of the narrative model art inheritance and evolution, and has its own unique aesthetic cognition value.