Relationship Between The Thickness Of The Plane Drawing Emotion

In the subject of this paper describes the concept of the relationship between the thicknessof expression and emotional plane between painting painting materials, as well as the visualimpact on the viewer ’s relationship to the different thickness of the screen material.Art to express ideas and emotions to be a prerequisite, and try different era artists make inthis context is not the same, from the future Impressionists, have a stroke thickness of thisperformance method for use in large-area flat painting, because it can be very intuitiveexpression of ideas, where Van Gogh and by introducing unique short strokes of paint thicknessdescribes the trajectory of this form of expression and emotional relationships, and changes inthe different thickness of the material in the same screen and can changes in visual spatialrelationships of the screen, and this change is also a good idea as a means of expression, it canput the picture in the context of space becomes relatively ambiguous, can make the front and thesubject matter of the relationship between the environment and Center, Rear and other relations,breaking viewer awareness of the objective space visually while highlighting the center of thischange is the interaction of spatial relationships of objects and the environment in the author ’ssubjective consciousness, and these are the author should express ideas and emotions as astarting point.Finally, the article describes how I put these theories to digest and amplified, used in thecreation of my graduation, especially the relationship between the expression of expressingideas and feelings screen space, and the thickness of the material used to paint these two tracks.