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Piano And Vocal Collaboration Of Three Performance Characteristics

Posted on:2015-03-03Degree:MasterType:Thesis
Country:ChinaCandidate:L HuangFull Text:PDF
GTID:2265330428457189Subject:Musicology
Abstract/Summary:PDF Full Text Request
Collaborative piano and vocal music art form is the most common form of expression, because the richexpressive piano and convenience, people often choose piano as a collaborative ensemble piano part. This pianopart and the vocal part constitutes a complete three-dimensional multi-part musical works, becoming an integral partof the musical structure. In the works, the role of the piano department generally manifested as leading, contrastand foil, supplementary three performance characteristics. By studying the text chorus Qu divertimento"Huangshan, Chi Mei Mountain" piano part creation, to explore collaboration with the vocal guidance of how toreflect this, heighten sexual and foil, supplementary features, in order to fully understand the piano and vocalcomplementary collaborative relationship.The paper will be " Huangshan, Chi Mei Mountain" piano part and vocal collaboration between the threeperformance characteristics for the above arguments, elaborate on the following two parts: First, an overview of thework artistic achievement. Including the introduction and songwriter Art achievement. Two, three piano part of theperformance characteristics of the work. The first is the use of leading features, such as background rhythmfigurations style guide practices guidance and high-profile nature guide tone, mood changes in mood and styleguide practices guide harmonies change the boot; followed by the contrast between nature and characteristics of theuse of foil, as the climax of the formula heighten the intensity of sound practices in contrast with the dense notefigurations contrast, foreshadowing style foil technique melody and harmony style style foil foil; Finally, the use ofcomplementary features, such as the melody with the melody complement and supplement with no connectionreplenishment practices, end replenishment practices repetitive supplement and complement the use of long tonescontinuation style. Fully illustrated study of the works of the piano department of the three performancecharacteristics, the general rule in favor of exploring the piano part of writing a song, there is a deep understandingof the full meaning of which is conducive to the work conducive to the singer, the perfect interpretation of thecommon player the works. Research ideas and research methods of the work of the piano part, which belongs to thechoral works of Qu Wen research first.
Keywords/Search Tags:singing voices, piano part, collaborative relationships, the performance characteristicsof the three
PDF Full Text Request
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