Shandong Regional Painting Imagery Performance Study

Shandong, the ancient Qilu land, has a long history, is an important birthplace of thesource Chinese culture and the Chinese nation. Oil painting in Shandong started in the50’sof the last century, after more than half a century development evolution, the emergence ofa large number of outstanding artists, they absorb western painting elements, integration oftraditional writing techniques, created a large number of outstanding works, has injectednew vitality into the development of Shandong oil painting. Shandong oil painting is aproduct of Qilu earth and its culture, is the common engendered by the towering Taishan,the the Yellow River, the vast sea, profound Qilu culture. Shandong regional oil painting inthe long process of running in process and Qilu culture spirit, integration, graduallyembarked on a conforms to China traditional culture connotation and suitable for theregional characteristics of imagery oil painting road.This thesis consists of preface, main body and conclusion of three parts.The first part is the preface, mainly introduces the purpose and significance of thetopic and the research status of Shandong regional painting.The second part is the main body, is divided into four sections. The first chapterdiscusses the imagery theory and its Chinese imagery oil painting, respectively,summarizes the analysis of development and regional image theory, the western painting inChina imagery oil painting, do the theoretical foundation for the following research. Thesecond chapter mainly discusses the regional cultural features of Shandong oil painting,through the analysis of natural geographical environment of Shandong unique anddistinctive culture, reveals the inherent foundation of Shandong oil painting. The thirdchapter is the emphasis and difficulty of this thesis, discusses in detail the performance ofimage region of Shandong oil painting from three aspects. First, by reviewing thedevelopment of Shandong oil painting, the interpretation of the causes of the developmentof Shandong oil painting; secondly, from the theme of aspects of the image features ofShandong regional painting; finally the image is from the exploration of Shandong contemporary artists. The fourth chapter is the development trend of Shandongregional oil prospects and thinking, put forward suggestions: nationality and modernitycombine and play a role in promoting Shandong Institute of the arts of imagery oilpainting.The third part is the conclusion, summarizes the full text: should strive to improvetheir artistic accomplishments, pay attention to social reality, pay attention to, create newforms, profound works of art, to promote the image of painting to the deep leveldevelopment.