Research Of "Virtue"or "Real" In Chinese Liuqin Playing Summary

The category of "’real’and’virtue’" is the core of the aesthetic ideas of the classical Chinese philosophy and aesthetics,It was initially influenced by classical Chinese philosophical concepts, the prosperity and development of traditional Chinese culture for thousands of years, and now has become the the typical core areas of Chinese aesthetics. It represents the unique charm of Chinese music.One of the highest level of contemporary thinking methods is dialectical thinking, which views the whole of reality as an evolving process and implies objective and dialectic way of thinking. The characteristics of the scientific way of thinking is the vision of a dynamic and development to treat and deal with the problem.Dialectical method can be applied to any district, time or subject. Art dialectical thinking also has a special significance for the guidance of artistic practice and development.Liuqin professional disciplines since its inception, but more than30years of history, compared to other professional Folk Instrumental it has infinite potential for development and space. Access to relevant information first For Liuqin professional theoretical study is a small number, followed by a very narrow scope of the study, most papers only limited reform of on Liuqin musical instruments, music analysis research for Liuqin playing with the philosophy, aesthetics combination explore Liuqin played the theory is still blank. All theory is to go to a better practice to seek the scientific method to improve the level of practice, the music became impress the minds of the language.This essay try to relate the dialectical thinking with Chinese liuqin performance art, choose ’virtue’ and ’real’, which are representative concepts in Chinese music aesthetics, as the main line. Use Liuqin playing technique as a starting point and fundamental point.To study ’virtue’ and ’real’, this research includes three aspects:playing method, performing state and performing sense, extends to four dialectic relationships of ’virtue vs. real’:’relax vs. exert’,’concrete vs. romance’,’move vs. state’and’sense vs. sensibility’.I hope by the direction of this research to the field of Liuqin theory open up new ideas and vast space,and to provide new performance inspiration to Chinese liuqin performers with instruction of scientific dialectic thinking, eventually achieve the dialectical unity of theory and practical.