"Physical"’s Transcendence And Sublimation

Traditional Chinese Woodblock New Year pictures is a painting genre, is a kindof folk art China unique. Yang jiabu Woodprint New Year pictures with its uniqueartistic charm, the majority of people love, become one of the representative of nonmaterial cultural heritage in Shandong. In this paper, the Yang jiabu Woodprint NewYear pictures as the research object, using the theory and method of ethnology,sociology and anthropology, the interpretation of Yang jiabu Woodprint New Yearpictures from the ‘life’ point of view, to arouse people’s attention to folk craft.This article is from the ‘life’ of the life course perspective, analysis of Yang jiabuWoodprint New Year pictures, in order to explore Yang jiabu Woodprint New Yearpictures how to develop in the modernization and globalization.In the introduction part, mainly introduces the purpose and significance of thistopic, research status, research theory and research methods, and also describes someof the deficiencies of this paper.Part of the body, is the key part of this thesis, in the first chapter New Yearpaintings of the life field--Yang Jiabu and wood New Year paintings, field from theplace of Yang Jiabu start, analysis of the village, as New Year paintings producedwood provides fertile soil, and on the basis of this paper New Year paintings of theYang jiabu Woodprint New Year pictures, the Yang jiabu Woodprint New Yearpictures of the origin and the development, provides the data foundation for thefollowing analysis. The second chapter, sign and symbol–Yang jiabu Woodprint NewYear pictures of the meaning of life, mainly the Yang jiabu Woodprint New Yearpictures as the carrier of folk custom symbols, expounds the Yang jiabu WoodprintNew Year pictures which contains the folk belief, pursue good fortune and avoiddisaster, the auspicious concept, reproductive worship and customs, to reveal the Yangjiabu Woodprint New Year pictures which contains life significance. The third chapter,function transformation and extension–Yang jiabu Woodprint New Year pictures insocial change, respectively expounds the transformation of Yang jiabu WoodprintNew Year pictures function affect traditional custom function Yang jiabu Woodprint New Year pictures in and under the modern, that change should pay more attention tothe function of. The fourth chapter, analysis of multiple view of life–the ‘life’ ofYang jiabu Woodprint New Year pictures. Analysis of key in personal developmentthroughout the life course from its artistic life, economic life, political life, culturallife and practical life and other aspects, through only on Yang jiabu Woodprint NewYear pictures itself research, and the relationship between the New Year paintings tothe man behind the. The fifth chapter, practical difficulties New Year paintings manualart. Analysis of the effect of modernity and globalization in this kind of environment,the development of Yang jiabu Woodprint New Year pictures of the huge impact, intogreat difficulties, at the same time for its future development put forward somesuggestions.The conclusion, points out the importance of Yang jiabu Woodprint New Yearpictures, we need to strengthen measures to protect those who suffer and be placed injeopardy, the impact of globalization, modernization of traditional culture.With the development of society and economy, great changes have taken place inpeople’s demand, the past as the necessities of the New Year paintings gradually fadeout of people’s vision, but as a condensed people experience and wisdom New Yearpaintings can’t just disappeared in the tide of modernity. Under this background, thispaper mainly through the Yang jiabu Woodprint New Year pictures concern, in-depthanalysis of the people behind it and all kinds of relations, the child is father of the manin the deconstruction of these relationships,and interprets the China traditional folkcraft, the importance and necessity to emphasize the good folk craft behind in socialdevelopment and changes of people and all kinds of relationship.