Research On Batch Comments Of Li Suiguang Revolve Around "Zhifengleishuo"

With the essentialism and manifestation, on the basis of poetics research, this thesis has the critical research from the perspective of aestheticism.Li Suiguang is the famous poet and critic in mid-16th and 17th century. Especially, he has great influence on the literature criticism that is about his literary view.Firstly, it settles the creation motive and construction of Chibong Yusol. From many scholars’ communication and connection, it summarizes the literary criticism that Li Suiguang inherits and carries forward. Then, beginning from the essentialism, it is mainly divided into three aspects, namely citing temperament, concentrating on ideal state, taking the god as principal thing. The early literature that was based on the rational Confucianism gradually turns into the formalism literature with the doctrinarism. It lost its essential meanings. Most poets stress poetry of Song dynasty and take advantage of allusion and words to ignore the expression of human emotion. Under such literature atmosphere, Li Suiguang as a critic re-summarized basic meaning of the literary essentialism and explained the theory of temperament. Rational Confucianism scholars’ understanding towards literary essence-temperament takes the way of Confucianism as the principal item. Besides that, the temperament virtue is the constraint feelings that mainly aim at the cultivation. As for literature, Li Suiguang pays more attention to the literary effectiveness and emotional expression. And he put forward the essentialism view about the combination between the temperament virtue and pure temperament. Not totally denying the rational Confucianism, he advocates that it will lose the real meaning unless the human temperament is on the superior position.we know the neutralized beauty from the theory of temperament which Li Suiguang insisted.Based on the theory of temperament, he holds the idea about the interest. The alleged sense is combined with the implication and interest. The implication is a kind of artistic conception that is with endless ideas. He excludes the setting meaning but pursues for the combination between "significance" and "reason". When the aesthetic subjects are activated and they reach the highlight, we call it" falling into enthrallment". Li Suiguang holds the idea that articles should take the soul as the main item. He is uncertain and can reach for the significant state during which the epiphany is absolutely necessary. The epiphany is the start of the rational intuitiveness. It has to be done for epiphany. Thus, the unification of the exact insight and self-insight can realize the significant state.The significant state is uncertain which consists natural, unexpected and instinctive. Thus we can split it into naturalism, temperament theory and the nature’s mystery to research. Consequently, the subtle poetry will create endless conception and achieve the unlimited significant effect. Li’s poetries embody the subtle emotion. The natural poetries are spoken highly and naturally created. Thus he rejects over polishing and decoration.The temperament theory in Li’s manifestation is divided into two types. One is analyzed through rational Confucianism perspective. Firstly, the temperament means the inner virtue and disposition. And their moral cultivation will be also reflected in poetries. Secondly, he asserts the temperament theory that combines the interest to accomplish the unique style. Due to the indispensability between nature mystery and witticism, Li Suiguang thinks that the nature will is unable to get, but the witticism can be grasped via self-discipline. Therefore, the creation of poetry should use the abundant practices and seeking acts to improve the visual comprehension towards the objects.Li Suiguang’s criticism not only put forward the standard of learning poetry but also the emotional aesthetic conception. What’s more, he also enriches the connotation of nature mystery, which has far-reaching significance for latter Korean scholars.