A Comparative Study Of The Formal Beauty In The Chinese Ming Dynasty And The Italian Renaissance Painting

The beauty of form are very popular in the west, which hasimportant and deep meaning in the form of beauty to study thedifference of Western painting. Aesthetics of form as anindependent aesthetic theory, it highlights its importance in theconcepts related to the beauty and the essence of art or theontology significance."Form" concept for the particularity ofaesthetics and literary theory lies in the fact that, for theunderstanding and interpretation of it is directly related to theoverall concept of beauty and art;"form" as "pure aestheticsconcept category", is not only the aesthetic knowledge about"form", is its carrier, and is the way we make aesthetic on theinterpretation, obtained by "interpretation of the concept of systemform". The beauty of form refers to some common features of theform of beauty. The beauty of form shown not only by theperformance of the abstract art, this is the most maincharacteristics.Paintings of Ming Dynasty is a transitional era of Chinese arthistory, in the category of painting, landscape painting, flower andbird painting prevailed, literati painting popular; in art schools,"zhe","Wu School","Songjiang school","Su Song school" and other school both blending and confrontation in the painting method,;there is water ink landscape painting, freehand brushwork offlowers and birds painting, figure painting, portrait painting, inkbone. Not only has a distinct class character, and diversity ofcomplicated, China painting development over a long period of time,during the Ming Dynasty a little tired, paintings of Ming Dynastyinherited the Jin, Tang, song, Yuan art tradition, but also influencedby the politics, economy, culture, produce a great change andReform in the painting form.Renaissance was an epoch is very important in the westernhistory of art, it advocates humanism, opposition assumptions andideas of the middle ages, with a retro mood of classical culture andthe arts, trying to restore the classical art of ancient Greece,ancient Rome. Renaissance paintings broke before medieval boringform of painting, ancient Greece, ancient Rome period revival style.The classical art is just a continuation of the fifteenth Century art’snature， is an Italian completely spontaneous performance. It is nota simple imitation of the ancient Greek art, not for growing flowersand slender, but open fields grow sturdily plants. They used a stableand unified layout type composition, rigorous, in the pursuit ofunfettered free form at the same time, there is a tendency to try toweaken the passionate performance, perhaps this is the century ofthe more typical facial expression, this is when it comes to thecharacters of "classical serenity", refers to the kind of control. Theexamples can be found everywhere. Sixteenth Century art isdoomed not to find the feelings of people the world, that a greatpassion that shook the soul of this passion, but the use of art. To the Renaissance period, from about1500to1525years25years is themost important period of development of classical style of Florence--the art of Rome. Also produced very big change in the West earlyfourteenth Century-17century painting form.