Culture Posters Comparison Between China And Germany

With the human survival way change and new concepts of intervention, creativethinking techniques of expression constantly showing new mode. The development ofcontemporary world economy tide culture and science and technology will be the posterdesign into the global cultural context. In this paper, the German culture in poster designas an example, the author through the analysis of how designers will enrich the perceivedimage abstraction turn, parse out the graphics design depends on characteristics of itsshape, reasonable composition and color appeal to break language barriers and culturaldifferences of body information transfer. Abstract to turn the graphic language of posterdesign is no longer stay in the beauty of form, but through the image to pull away,contradiction and creating artistic conception and three-dimensional experiments, throughgraphical communication, achieve direct communication between mind, so that thegraphics performance in poster design to deeper to convey meaning and symbol. The twocountries, Germany on the expression form of graphic Abstract turn each has its richcreativity. Although the two countries cultural background, aesthetic connotation andtraditional national spirit are not the same, but based on the global context, the collisionof cultural differences between the two countries to make use of the fusion, the designer’svisual language with convergence, thus create a diverse perspective, very beauty and richpersonalized with the national characteristics of the visual world.This paper reviews the two German and history and culture, and through the researchon the contemporary poster design development, will eventually locked research objectfor the two German and contemporary cultural poster. Firstly, from the history of theirGerman and geography, and humanistic background, respectively discusses the nature,formation of Germany national cultural differences; the second part from the practicalpoint of view, the use of the two countries, Germany Abstract turn graphic language as an example, the profound cultural connotation behind the research of contemporary culturekind of poster design implication; third part discusses the development and innovation ofcultural posters in the context of globalization and Enlightenment to Chinese cultureposters, and makes the summary to the full text; the end of the article, the authorcombines oneself to the culture, moral sentiment, respectively in two differentperspectives of the experimental creation, hoping to provide some valuable practicesupport.