Interpretation Of The Spirit Of Realism In Art Creation Of Liu Xiaodong

Artists in the process of artistic creation, selection and use of the creative mate rial is in need of a lesson of long-term accumulation, repeated pondering, careful pre paration, it is the spiritual carrier of art creation, external expression of ideas. Forcon tem porary artists, creative material should be a very personal question.Pluralistic soci al environment and emerge in an endless stream expression situation,let every artist i n the creation of material choice have great area, so that works in the form of differe nt forms of the myriads of changes, people dizzying. For this reason I will material t ypes are divided into two categories, the first category is thosebased on the objectiv e existence of the substances and environmental factors such as still life scenes seen ery and so on, these materials are generally easy to analyzetangible things and under standing. The second category is the artist’s mindexperience of things, experienc e, imagination, understanding, experience, etc.These are the abstraction of the materia 1, not easy to quantify and clear words andlanguage description. Abstract in this.Artists during the process of artistic creation, the selection and use of creativ e material that requires long-term accumulation, repeatedly pondering a homework carefully prepared, it is the art of spiritual support, thinking outside of the expre ssion. For contemporary artists is concerned, the problem of creation of the materi al should be a very personal issue. Diverse social environment and the endless str earn of expression situation, so that each artist in the creation of the material of choice has a great expansion of space, so much so that in the form of work sho wing a different form of the ever-changing, dizzying. For this reason I will type material is divided into two categories, the first category are those with physical and environmental factors, such as still life scene scenic character and so objectiv e, these materials generally are visible touch to get something relatively easy anal ysis and understanding. The second category is the artist’s personal experience in the heart of things, experience, imagination, understanding, feelings, etc. These ma terials are abstract, not easy to quantify and clear description in words and langua ge. In this abstract expression-based.Is very important for art creation in terms of material selection and application,c areful material selection and reasonable performance skills is a prerequisite forworks of art to the vitality of the. Oil painter Liu Xiaodong has made notableachievemen ts in art in Chinese modern oil painting field, whether it is within the system and co mmercial areas are subject to higher ratings and sought after, I to his creative materi al basis for research, hope to be able to play the role in the creation of material sel ection and application fieldFor the art in terms of the selection and use of the material is essential, car eful selection and reasonable performance skills is a prerequisite of art can have vitality. Painter Liu Xiaodong in the field of modern painting achieved relatively r emarkable artistic achievements, both within the system and commercial areas are subject to relatively high evaluation and pursuit, in my creative material for the st udy of his foundation, hope creative material selection and use the field can get a valuable roleIn Liu Xiaodong’s creation material research field in the choice of two paths, th e firstwas his personal growth experience and the social background of the times. T he second is the process of change material in his works. The first part of this pape r mainly introduce the current domestic and foreign research situation in this field.Th e two part expounds the development track of the second Liu Xiaodong. Finally,acco rding to the background and the development trend of creative materialapplication o n Liu Xiaodong made in Chinese contemporary oil painting development practical si gnificance.Liu Xiaodong in the creation of the material studied field I chose two tracks, the first is his personal upbringing and social background is located. The second is a change in the context of his work material. The first part of this article to introduce some of the conditions of contemporary research in this field at home a nd abroad. The second part discusses in detail two Liu Xiaodong’s trajectory. Fina lly, the development trend of domestic and international background and discusses practical significance Liu Xiaodong creative material applied to the development of modern and contemporary painting achieved.