| In the Qing Dynasty painting and calligraphy art showing the morphological characteristics of special in its special historical background, based on the history of Chinese culture, history and geography, education history research results and methods, focusing on the part of the category of the study of art history of China in the cohort study, in accordance with the development of the art of painting and calligraphy of Qing Dynasty is divided into the early, middle and late three stages, the study on the relationship between regional geographical differences in the style of distribution and historical heritage. At the beginning of the Qing Dynasty imperial court attaches great importance to calligraphy, this period is the court calligraphy calligraphy occupies an important position; the period of the art of painting is mainly driven by the Ming Dynasty painter, can be roughly divided into the "orthodox" and "alienation of orthodox". In the later period, the Daxing literary inquisition, scholar’s attention to textual criticism, which also led to the development of tablet study. During this period many calligraphers are returned to the south, away from the court, the focus is also concentrated in the south of calligraphy. In the middle of Qing Dynasty’s paintings are mainly concentrated in Yangzhou as the center of the area south of the Yangtze river. In late Qing Dynasty, the traditional culture of Western art ideas for China to form a huge impact, this period of painting art form diversified characteristics in coastal area. Although the Qing Dynasty calligraphy and painting are the north and the south in the geographical center of gravity changes, but the trend from north to South and center of gravity shift has not changed. In the former of Qing Dynasty painting in the style characteristics, from the region can be divided into several areas of Beijing and Tianjin, Zhejiang, Hubei and Hunan, the southeast coast as the representative. |
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