The Use Of Traditional Chinese Painting’s “Artistically” And “Field” In Contemporary Painting

The collision of cultural, if they are not the same level, then the consequences will be devastating. A healthy art ecological should be diverse. Temporary, this cultural phenomenon may be seen as a confrontation. But in the long term the confrontation is much more like a kind of symbiosis. Civilization tends to get commonness, in the counter culture tends to be different. Chinese culture is an integral part of world. There is no reason the Chinese artists imitate others blindly. The contemporary art cultural created by Chinese artists, should contain the tradition of aesthetics. Artistically plays an important role in Chinese painting and it is the primary rule. A “Vivid Artistically” has an unshakable position in the “Six Methods of Xiehe”. “Artistically” is the soul behind the form of painting and different “artistically” shows different forces in the painting. All the whole forces we call it the “Field”. "Vivid" seems become the aesthetic standards of traditional Chinese.This kind of standards which troughed the standards of painting once was permeated with the standard. And now it is hard to find its traces in China’s contemporary art. This rule is always either too much or too little influences artists. This degree is always difficult to balance. For retro or simple replication, we need more thinking. We may have to do is put Chinese contemporary art as a scientific discipline again and re-independent.