On Chinese Freehand Sculpture-the Regression Of Human Feelings

In terms of plastic arts, any kind of style, the formation of a genre, has a very profound cultural origins and rich cultural background, all reflect the social values of the time, the condition of aesthetic and aesthetic trend. In Chinese contemporary art history, it is easy to find, the traditional Chinese painting still rooted in the Chinese traditional culture fertile soil, by contrast, more ancient than the traditional Chinese painting history, and added great glory for the world civilization, unique creativity, artistic charm and characteristics of traditional Chinese sculpture has almost disappeared in the beginning of last century. When we picked up a carving knife again, but it is following the western concept of shape, modelling rules and laws. It’s no wonder that more than half a century of Chinese sculpture, though as a Chinese, but the middle of the foreigners’ blood. Corresponding to the great achievements of ancient Chinese sculptors, this cannot but make people blush.The last century eighty s, when the reform and opening up, the doors wide open, western chian trend if, genre and proposals to prevent a flood, to make Chinese sculpture art more display colorful picture, different genres, different styles, different proposition is subway mixed. When we calm down, clearer, dream wake up, we once again by the west’s cultural colonization. So there is some unwilling devoid of Chinese cultural spirit, has a distinctive national culture position of insight, they tried to unblock the connection of traditional essence of arteries and veins, adhere to the transmission of Chinese culture, and is committed to China’s "freehand brushwork" form and language to explore, "freehand brushwork" impressively to hit China this signboard. The good news is that very gratifying achievements, has been widely recognized and is leading the trend of the direction of the development of Chinese sculpture. Here must be clear is that of "freehand brushwork", is not unfounded, more not grandstanding. It not only has the extremely profound cultural tradition, more peculiar to the Chinese culture temperament and extremely broad environment.In this paper, by combining with an example, the method of first write the overall introduced the ancient Chinese sculpture has the characteristics of freehand brushwork, and take out the most free of han dynasty huo qubing concrete analysis to illustrate my ancient tomb sculpture for the greatness of the freehand brushwork. And comprehensive through the ancient Chinese philosophy, calligraphy and painting freehand brushwork spirit deeply rooted in our country is described in this paper. Is the essence of Chinese traditional aesthetics, it is concluded that the contemporary freehand brushwork strong vitality and future. affected by the traditional Chinese aesthetics of the ancient Chinese sculpture, born with freehand brushwork in traditional Chinese characteristics of extremely rich. Pay attention to reflect work vividly, emphasizes the writing conception. In han dynasty tomb for huo qu bing, stone carving, artisans carve attentively, slightly to ponder, the natural shape blocks to make the shape of the natural and artificial stones carved clever unifies in together, so as to embody the skilled freehand brushwork technique, and clever design, achieve the unity of the content I boundary.Freehand brushwork with emotion, the most charming, and has strong vitality, is the essence of Chinese traditional sculpture art culture. Today’s freehand brushwork in traditional Chinese sculpture absorbed the essence of all kinds of art forms, it is the revitalization of a new breakthrough in sculpture art in China. Contemporary sculpture possesses all the art of freehand brushwork in traditional Chinese spirit and humanistic feelings, the research of contemporary freehand brushwork meaning for the development of sculpture art in China.Today, the Chinese freehand brushwork has experienced periods of change and development, study the development process can let us learn to use the rich artistic technique of expression and variety of art forms, to explain the noumenal language of sculpture. For the development of Chinese contemporary sculpture has very important practical significance. Contemporary sculpture calls for a modern humanity regression, value character of casting, follow the natural rule of the ultimate state.