A Study Of Ban Gu’s Poetic Ideas

Ban Gu, the word Meng Jian, Fufeng, the Eastern Han Dynasty, the famous historian, writer. This paper will in the academic circles of Ban Gu Hanshu historiography research results based on, emphasis thinking on its literary value and aesthetic value, and stand in the perspective of philosophy and literature appreciation, in "Hanshu" as the center point and insight Ban Gu’s concept of poetry. The author from the "Han" cited poetry point of view of the full text of the breakthrough, with Ban Gu cited poems for the line, extended to the Western Han Dynasty period, macro Hansdenhu portrayed the Han Dynasty poetics. Comparison of effects of worship in Han Dynasty Confucianism atmosphere of Ban Gu poetry concept overview and Sima Qian’s ideas, show the Ban Gu in the "Han" in on Sima Qian and "historical records" ambivalent attitude, because of the Confucian orthodoxy and of Sima Qian and his works of criticism at the same time, Ban Gu and station in the point of view of the evaluation value of the art works of Sima Qian and the "historical records" to be appreciated, exhibit unique aesthetic taste and aesthetic feeling force. In Ban Gu’s conception of poems about absolute supreme sovereignty, he firmly to Liu regime’s support of most. And Sima Qian’s "record" spirit has similarities, Ban Gu more emphasis on the ruling class and the concept of consistency and consistency. View of allegory in the political ideas in the Ban Gu’s poetry, highlighting the attention of Ban Gu in poetry with the purpose of church and dentstate, social function and realistic function. Ban Gu’s allegorical view covers the theory of Yuefu Poems, in Ban Gu’s theory of Yuefu Poems, not explicitly put forward the "thorn" of the word, but the performance of the "the feeling in the funeral music, margin and" characteristics. And "resentment thorn" relative "eulogy" appeared in Ban Gu’s poetry concept, the so-called "express Xiaqing" and "Xuan de", the performance of the ban for the maintenance of the concept of the authority of the ruling class in his poetry concept deeply rooted. The concept of music education, is the Ban Gu poetry concept in one of the most essential characteristics, "the dirge of the heart feeling, and the singing voice of hair. He was chanting poetry and chant the sound of that song." Hanshu Yiwenzhi, describes the poems into music of the existing form of religion and politics, and the function and the value orientation, to become the backbone of Ban Gu poetry concept. Ban Gu to highlight the characteristics of poetry "the heart of the music, later Mr. Qian Zhongshu" music couldn’t be for false "," sound is not pretentious affectation "aesthetic principle and the related highlights the authenticity of poetry and meaning of language, and leads to the" original meaning "first proposed the" book of songs ". The original meaning of " the three poems salty non, Ban Gu think Lu poem closest to the poetry of " meaning ", is " the book of songs " in the original lyrics of music forms, is embodiment of Ban Gu attitude to trace the origin of the poetry. "Han. Geography", Ban Gu describes the local natural geographic condition and social customs, and references to "the book of songs. The wind" verse each card. The local customs and local poetic touch up is Ban Gu poetry concept of innovation and broaden the he depth of the pursuit of poetry "meaning", Ban Gu think from the perspective of political indoctrination extends to local customs and easier to close to the truth of the poetic meaning itself. Ban Gu in the "preface" proposed "Liangdu Fu, also likes poetry." In Ban Gu opinion prose and poetry is the relationship between the source and flow, the ban on Cifu trace the original source and understanding of Cifu practicality and aesthetics, and of the contradiction embodied in the evaluation of Qu Yuan, indicating that Ban Gu of Qu Yuan, "the U.S. government" thought agree and return.