The Exploration Of Shanxi Northern Qi Dynasty Tomb Murals Style

In this paper, with frescoes Lou Rui tomb as the center, In archaeological discovery method and literature mutual release certificate, image analysis and the combination of text, the mural in the entire geographical and cultural background, the social and historical background, history of painting development context, through the analysis of the characteristics of fresco composition, style, line features and color halo, Style murals showing the characteristics study; At the same time, and then through its grave, and Hebei Cixian Shandong Linqu Cui Fen Wan Zhang wall tomb murals and Shanxi Northern Wei Dynasty tomb murals were compared, analysis, the use of "iconology" method of art history, the art style and social background, cultural background and the background of tomb figures together, and strive to do the analysis and Research on the Northern Qi Dynasty Murals Shanxi tomb area art language and cultural connotation of the comprehensive, thorough, system.Through the investigation of Lou Rui tomb murals, with Hebei, Shandong, Shanxi, the Northern Wei Dynasty tomb murals of the analysis, enables us to Lou Rui tomb murals Shanxi as the representative of the Northern Qi Dynasty tomb murals showing a free, bold, fresh, energetic style of art has been recognized, unique geographical and cultural connotation and characteristics in common with reflects the style characteristics of the Northern Qi Dynasty style by. During this period the mural tomb is still traditional and the succession of the former, but the traditional image selection and processing, and in the form of performance has been expanding and innovation.Before the excavation of Lou Rui tomb, the Northern Dynasties painting, we are familiar with the Northern Wei, Western Wei Dynasty is the Mogao Grottoes of Dunhuang mural painting style, that represent the characteristics of the Northern Dynasties, but Lou Rui tomb excavation, fill the blank of China art history, preparation conditions and more prosperity in Sui and Tang Dynasties painting art.