Recreation On Faithfulness

The development history of television drama is also a literary adaptation of history. In recent years, TV plays and literary works are closely linked, as well as the literary works adapted into the TV series becoming more and more popular. However, it’s hard to find the peak in the plateau. Lu Yao and his novels at the beginning of the birth of the Ordinary World suffered elite scholars "cold" and the mass audience "hot" poles evaluation Their position in the history of literature is very awkward, while the television drama adapted from Ordinary World gains the double harvest of economic and social benefits. It can be called a successful example of the adaptation of the TV series in recent years.The thesis takes Ordinary World as the research object, taking into account the other more typical adaptation plays, in the constant questioning of why the TV series is better than other adaptated TV plays, focus attention to explore the reasons for the success of this adaptation lies in the perfect fusion of “faithfulness” and “creation” aesthetic principles. By the research method: the combination of read the text and film thinking, the combination of theoretical interpretation and case analysis, the thesis thinks that, the root cause of the uneven quality of the adapted work is, even each of the adaptation plays claimed that it has carried out the “faithfulness” and “creation” aesthetic principles, but in fact they don’t really understand and practice them.The thesis thinks that, first, the most fundamental of “faithfulness” is the theme of the spirit. Theme spirit is the inner deep meaning of the original work, but not the surface frame.Therefore, in the process of adaptation, it is not necessary to show the original characters and plot in details, but to find out the key to the fate of the characters, so as to build the center in the original basis, the appropriate increase, and strive to convey the spirit of the work. Second,“faithfulness” is also reflected in the faithful of the contemporary background, the cultural context and the art rules of TV play. These two points “faithfulness” in nature have been transformed into the creation based on faithful. The creation is fitting the background of the times and conforms to the law of the art form of the TV play. The basis of “creation” is the need to change from the static art to the visual arts, and the creation is the necessary link.Finally, to seek the balance between “faithfulness” and “creation”. In the process of adaptation, “faithfulness” and “creation” are essential, but it is necessary to take the appropriate degree. Over the “faithfulness” will be derailed with the current era, and over“creation” will also lose the classic charm. “Faithfulness” and “creation” can not be split apart,but unified in one, practicing the “faithfulness” can’t without “creation”, and the pursuit of“creation” also can’t throw away “faithfulness”. The “faithfulness” and “creation” is in the relationship of you have me and I have you. Only in the way of the perfect fusion of loyalty and creation can create the adaptation which worthy of the original and the times.The thesis is divided into five chapters. The first chapter is the introduction, introduces the origin, the research value, the research method, and carries on the feasibility demonstration. The second chapter is the literature review, based on the research of the adaptation theory at home and abroad as well as the research of the TV play Ordinary World.The third chapter Lu Yao and his novel Ordinary World introduced “Lu Yao phenomenon”and the rough course of the novel Ordinary World. The fourth chapter is the main body of the thesis and the key point of the thesis, from the perspective of “faithfulness” and “creating”two aesthetic principles to analyze the adaptation of the TV series Ordinary World. The fifth chapter “conclusion” is a summary and reflection of the adaptation of the literary works into a TV series.