The Fusion Of Visual Beauty And Spiritual Beauty Of Watercolor Works

Watercolor painting in China, belongs to the imported product.Watercolor painting was introduced to China, develop more slowly, both subject matter and style patterns are mainly follow the Western watercolors.But after the 20 th century, especially in the last 40 years, watercolor on the creative content is a big shift, subject matter, style, author ideas tend to diversify, diversify.In such a rapidly developing environment, also there have been many notable problems.Works simple as some interesting water games, poor thinking, his works are empty, not deep into culture, charisma is weak, making it difficult to open the deep aesthetic sense.Some works were copied photographs, rigid, making strong, overlooked in pursuit of narrative works of art only for the pursuit of the big themes, and ignore the unique aesthetic character of watercolor art ontology languages, these questions deserve our study and reflection.Watercolor, is sticking to its body language?Also is a respected art trends in the art of painting without a clear demarcation between, all just for the intended service?Between the two views is a must to draw equally important territories?In my opinion, whether it is Western watercolor paintings Chinese watercolor painting, both emphasize natural light and in the spirit of the spirit, fine watercolor art is Visual and emotional interpretation.This paper attempts to watercolor painting works in China and analysis of watercolor painting in the form of rule and in the special language of Visual aesthetic element, analysis in the art of "the true, the good and the beautiful" importance of spirit in watercolor painting, Visual and emotional analysis works in terms of aesthetic integration, thereby reaffirming should adhere to the fundamental direction of watercolor art development.