Research Of Jian’an Seven Writers’ Poems

From Han Dynasty to Wei four hundred years, There are three "styles". From Sima xiangru’s "the shape of words" to the class, Ban meng Jian "reasonable", then to Jian an’s poets temperament for the style. There are three changes. Later on the interpretation of the Han poetry or break. The considerable poetry inheritance and evolution. Han poetry.later on a rough two: one,don’t advocate Han can not be separated; two,in different stands. First, someone said Han and Wei’s poetry is just need to sum up, for the pursuit of patina. So-called naturally. However, the Jianan has expanded its performance field of poetry. Such as the banquet poetry, poems are new game theme of Jianan poetry. After a long evolution of poetry, the Jianan poetry both the content and emotion. It has more abundant than Han Dynasty.As the distance from the continuous development of the Han,Wei and the further away and later literary theory, descendants of Jianan poetry of the Han and Wei Dynasties Poetry demarcation point understanding has gradually deepened and pluralism. In the Jianan poetry as the first stage of the poetry in the Wei and the Jin Dynasty, and the Han Dynasty poetry is inextricably linked, and contact also changes Yan. However, the solid poetry cannot be completely separated, which also has changes there. Yanyu, Hu Yinglin and Xu Xueyi thinks that, Wei and the concept and slightly concerned:Yanyu think Han and Wei’s poetry are the same, are all "true understanding" Hu Yinglin said the objection, thinks that Wei poetry has started to see "role", already can not be said to be "true understanding", but the so-called "thorough understanding"; Xu Xueyi hold Wei late Han Dynasty simple realm of ideas, that the "effect" of the impact is negative.The third son like open as early as "the consciousness of literature" in the dispute of the Yi. In this paperthe theory of Jian’an,as Han Yu "recommended" the cloud "in one, seven, who is also outstanding character and conduct are changed.". China ancient literature by regional influence is very long, many individual characteristics have become Abstract geographical characteristics. By geographical features to describe the style of work and obviously reflected in dianlun Lunwen, such as the so-called "Xu Ganshi have Qi Qi" is also. However, in different regions, not individuals from endemic to qi. Chinese the requirements of "personality" in the ideological and moral, and their moral realm is the "culture" and the important basis and guarantee. Overview of the "goodness" suppressed "beauty". Because in China ancient literature is not an independent discipline, therefore included in the generalized "text" of the content, a large part is a direct expression of the author’s own ideas and ideals. In ancient times Chinese traffic is inconvenience, reading the book, is the most concise way to know the writer. While this feature is also in turn caused the reader to "text" of the judge depends too much on the moral situation of the author. Jian An Zhi Jie ’stwo wings. Wang Can and Liu Zhen.Wangcan’s life is a little like Li Ling’s. Wang Can and Li Lingtong family descendants, all witnessed and experienced the war, so the two people are "self. However, Wang Can’s war, compared with the extent of Li Ling is light, and a total of "passionate". Thus in the poems of Li Ling, "blame" is too "sad", Wang Can is vice versa. Wang Canzhi’s poetry, "grief is too "complaining"". Liu Xie’s Wen Xin Diao Long in the poem respect "four words are the body", the suppression of five character stream and wangcan also in laws and regulations made with "the nation" is closely related to the outstanding contribution, so Liu Xie in the literary mind and the carving of dragons, Ming poetry said:"Sheriff four words are the body, Ya run the; five characters epidemiological survey,gorgeous Ju Zong......And a good Zi Jian, Zhong Xuan, partial beauty of Taichong business ", the so-called" partial beauty "is Liu Zhen for the contribution of the poem. In the poem weak irreversible Jian’an period, whether it is Cao Cao, Cao was also the king of charm, for four syllables poem have attempt to reform efforts, but seems to have little effect. "Generous" sorrow "s poetry style diffuse in the Jianan poetry.Jian’an literati began to individual life has a deeper more consciously grasp. Although the period of Wei has not established a clear business department,but as Mr Huai Rong Liu thought:including style of Jian’an Qizi, Jianan poetry "generous and sad" form and music at that time "the sad beauty" will closely. In the orthodox view,sad music is "bad country music" and "the subjugation of the music". Especially in the occasion of the entertainment world,the influence of the music aesthetics of "mourning for the beauty" has gradually expanded in the Han Dynasty. Finally,the two Han Dynasty became the two run parallel tradition. In how to realize the ultimate things to seek the way, with three CAOS and Jian’an Qizi et by means of "Sadness" Song poems reveal the "generous" wind,the life body recognition,and on the individual life obtained satisfied anxiety, to Ji Kang "on the sound without dirge" there finally temporarily to find the way to solve. Ji Kang in the peel "sound" and the music, will to some extent alleviate the anxiety.. And existing Jian’an Qizi few poems, leaving the description banquet music "generous sad poem so much.It can be said that the Jian an times special era style and musical styles affect the Jian’an Qizi poetry style, also is not in doubt.